In the 17th century, the village of Biaroza belonged to the Sapieha, a powerful magnate family in the Polish-Lithuanian Commonwealth, who founded a fortified monastery and a palace in the village. In 1648, the monastery was presented to the Carthusian monks who came from the Italian town of Treviso and settled in the monastery.
The cornerstone of the monastery was laid in 1648 by the monastery's founder, Kazimierz Leon Sapieha, in the presence of bishop Andrej Hiembinski and the nuncio of Rome, Jan de Torres. Historians state that the monastery's architect was Giovanni Battista Gisleni, who worked for 40 years in the eastern Commonwealth (now Belarus). Kazimierz Leon Sapieha, the son of the Commonwealth magnate Lew Sapieha and member of the powerful Sapieha family, was the main sponsor of the project.
The monastery was to be built on the place where a wooden cross was found in the forest. Therefore the monastery was also named after the Holy Cross. The monastery was consecrated in 1666, but work on construction of the church continued until the 18th century. As a result it became one of the most beautiful among the monastery churches of the Rhine province of the eastern Commonwealth (now Belarus).
The monastery was also expanded and became one of the biggest charterhouses in the Polish-Lithuanian Commonwealth. The monastic order (the Carthusians) gave their name to the second part of the village's (which grew into a town) name (in Polish, the Bereza Kartuska; Russian, the Beryoza-Kartuzskaya).
In addition, the monastery had large living premises, a pharmacy, a botanical garden, and an economic infrastructure. A palace of the Sapiehas was built close to the monastery.
During the Great Northern War, the monastery housed a conference held by King August II of Poland and Tsar Peter I of Russia.
During its 200 year long existence the Biaroza bonastery was the owner of a large territory. The main sources of the monastery's income were land operations and gifts of local szlachta and magnates. The monastery acted as creditor, and monopolised the local trade of salt, wine, honey and bread.
In 1706, the fortified monastery was put under siege and then taken by assault and looted by the forces of Charles XII of Sweden. Two years later, Swedish forces again looted the area, which resulted in almost total depopulation of the town. It was also damaged by the armies of Alexander Suvorov in 1772, during the Partitions of Poland.
After the Partitions of Poland and the annexation of Belarus by the Russian Empire, the number of monks shrank to six persons and the monastery's huge treasures were robbed. After the closure of Carthusian monasteries on the territory of Poland, the Biaroza monastery remained the last active monastery of the order on the territory of the former Commonwealth.
Russian authorities made efforts to close down the monastery of Biaroza. In 1823 the monks were claimed to have taken part in the uprising led by Tadeusz Kościuszko thirty years earlier, but no evidence of this could be found.
After the November Uprising (1831), Russian authorities closed down the monastery. The monastery's infrastructure was given to the army. The city of Biaroza-Kartuskaja (Carthusian Biaroza) was renamed Biaroza-Kazionnaja (State-owned Biaroza).
The premises of the former monastery were used by Russians as casernes. After the next Polish uprising (1863) Russians started destroying the walls of the monastery and building casernes out of the monastery wall bricks. Poland regained independence after World War I, and in the aftermath of the Polish-Soviet War (1919–1920) the territory of Belarus was split between Poland and the Soviet Union. In the 1930s the former Russian barracks were rebuilt by the Polish authorities and adapted into a prison for political prisoners. After the reunification of West Belarus and East Belarus within the framework of the Byelorussian Soviet Socialist Republic, a Soviet military unit was placed within the walls of the monastery. This led to the further degradation of the site.
At the beginning of the 1990s the monastery was placed on the list of the historic architectural heritage of Belarus. There was a project of renovation and restoration of the Biaroza monastery, however so far little progress was made.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.