Ruzhany Palace is a ruined palace which was between the 16th and 19th centuries the main seat of the senior line of the Sapieha noble family. Ruzhany began its life in the late 16th century as the site of Lew Sapieha's castle, the palace being completed in 1602. The Sapieha residence was destroyed in the course of the internecine strife in the Grand Duchy of Lithuania when it was attacked by Michał Serwacy Wiśniowiecki's forces in 1700.
Ruzhany Palace was rebuilt as a grand Neoclassical residence in the 1770s by Aleksander Michał Sapieha, employing the services of the architect Jan Samuel Becker of Saxony, who set the palace in an English park landscape. Aside from the palace, there was a theatre (1784–88), an orangery and several other outbuildings. Becker also designed the local church (rebuilt in the 1850s).
By the time of King Stanisław II's visit in 1784, work on the palace had been suspended. The Sapieha estates were nationalised in the aftermath of the November Uprising (1831). Three years later, the palace compound was sold to be used as a textile mill and weaving factory.
In 1914 the palace was accidentally set on fire by factory workers. The First World War and subsequent financial hardships prevented the building's restoration until 1930, however the partially restored palace became a ruin again within fifteen years, a casualty of the Second World War. The ornate palace gate survives and has recently been restored.
References:The Church of St Donatus name refers to Donatus of Zadar, who began construction on this church in the 9th century and ended it on the northeastern part of the Roman forum. It is the largest Pre-Romanesque building in Croatia.
The beginning of the building of the church was placed to the second half of the 8th century, and it is supposed to have been completed in the 9th century. The Zadar bishop and diplomat Donat (8th and 9th centuries) is credited with the building of the church. He led the representations of the Dalmatian cities to Constantinople and Charles the Great, which is why this church bears slight resemblance to Charlemagne's court chapels, especially the one in Aachen, and also to the Basilica of San Vitale in Ravenna. It belongs to the Pre-Romanesque architectural period.
The circular church, formerly domed, is 27 m high and is characterised by simplicity and technical primitivism.