Ruzhany Palace is a ruined palace which was between the 16th and 19th centuries the main seat of the senior line of the Sapieha noble family. Ruzhany began its life in the late 16th century as the site of Lew Sapieha's castle, the palace being completed in 1602. The Sapieha residence was destroyed in the course of the internecine strife in the Grand Duchy of Lithuania when it was attacked by Michał Serwacy Wiśniowiecki's forces in 1700.
Ruzhany Palace was rebuilt as a grand Neoclassical residence in the 1770s by Aleksander Michał Sapieha, employing the services of the architect Jan Samuel Becker of Saxony, who set the palace in an English park landscape. Aside from the palace, there was a theatre (1784–88), an orangery and several other outbuildings. Becker also designed the local church (rebuilt in the 1850s).
By the time of King Stanisław II's visit in 1784, work on the palace had been suspended. The Sapieha estates were nationalised in the aftermath of the November Uprising (1831). Three years later, the palace compound was sold to be used as a textile mill and weaving factory.
In 1914 the palace was accidentally set on fire by factory workers. The First World War and subsequent financial hardships prevented the building's restoration until 1930, however the partially restored palace became a ruin again within fifteen years, a casualty of the Second World War. The ornate palace gate survives and has recently been restored.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.