Sarskoye Gorodishche or Sarsky fort was a medieval fortified settlement. Major Varangian finds at Sarskoye date from ca. 800 onward, indicating that it was a major (perhaps the most important) trade station on the Volga trade route between Scandinavia and Baghdad. Traces of a bath, an iron foundery, a potter's workshop and a jeweller's shop were encountered. There were two hoards of early 9th-century dirhams. Another deposit was detected in the vicinity: it contained dirhams inscribed with Runic signs, interpreted as a thanksgiving to Thor.
Side by side with this evidence of a Scandinavian presence, the native Merya element is strong. For instance, there are numerous beaver symbols made of clay: the beaver was a sacred animal for the Finns. Although cremations were encountered, inhumation is predominant. Like the Slavs and Varangians at Gnezdovo, the Merya and the Norsemen seem to have peacefully co-existed in the 9th and 10th centuries. The settlement appears to have escaped the violent clashes of the Norsemen with the indigenous population, so characteristic of the Ladoga region.
Excavations on the site begun by Count Aleksey Uvarov in 1854 revealed a number of superb Varangian objects comparable to the sites in Scandinavia, notably a Carolingian sword with the inscription 'Lun fecit'. Excavations have been undertaken intermittently since that period by many persons, including Nicholas Roerich in 1903. In his diary, Roerich complained that the site had been reduced drastically by road builders.
After Soviet archaeologists resumed excavations, they rejected the traditional attribution of the site to the Norsemen, proclaiming it the largest centre (perhaps the capital) of the Merya, a Finnic tribe which inhabited the region prior to the arrival of the Slavs. According to the Great Soviet Encyclopaedia, the Merya township goes back to the 6th century, but its fortifications were constructed by the Slavs in the 10th century. The settlement suffered a decline in the late 10th century but seems to have endured until the 13th century, when it is first mentioned in a major chronicle as 'Sarskoe Gorodishche'.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.