Vianden Castle is one of the largest fortified castles west of the Rhine. Set on a rocky promontory, the castle stands at a height of 310 metres, dominating the town of Vianden and overlooking the River Our about a hundred metres below. The castle and its dependent buildings have a total length of 90 metres.
The castle was built on the site of an ancient Roman castellum in the 10th century. The basement appears to have been a Carolingian refuge. Historically, the first Count of Vianden was mentioned in 1090. The castle continued to be the seat of the Vianden's influential counts until the beginning of the 15th century.
Around 1100, a square keep was built as well as a kitchen, a chapel and residential rooms indicating that an aristocratic family lived there at the time. During the first half of the 12th century, a new residential tower and a prestigious decagonal chapel were added while the palace itself was extended. At the beginning of the 13th century, a new two-storey palace measuring 10 by 13 metres was built with a sumptuous gallery connecting it to the chapel. These additions show how the Counts of Vianden sought to rival the House of Luxembourg. The last great change took place in the middle of the 13th century when the entire castle was adapted to reflect the Gothic style. Finally, in 1621 the Nassau Mansion with its banqueting hall and bedroom was built by Prince Maurice of Orange-Nassau-Vianden in the Renaissance style replacing a damaged side wing of the 11th century keep.
During the 16th century, the castle was more or less abandoned by the Counts of Vianden who had gained the additional title of the House of Nassau-Orange after Elisabeth, the granddaughter of Henry II of Vianden had willed the County of Vianden together with its castle to her cousin, Count Engelbert of Nassau. This initiated the long association between Vianden and the House of Nassau. In 1564, William the Silent, Prince of Orange, Count of Nassau and of Vianden, took an initial interest in Vianden where he built the first blast furnace in Luxembourg but left in 1566 to lead the Dutch revolt again the King Philip II of Spain. As a result, Philip confiscated the castle and conferred it on Peter Ernst von Mansfeld, the governor of Luxembourg.
In 1820, King William I sold the castle to Wenzel Coster, an alderman, for 3,200 florins. Coster started to demolish the building, selling off the tiles from the roof, the wooden panelling, the doors and the windows piece by piece. Soon the castle was a ruin.
Such was the indignation of his subjects at the mistreatment of the castle that in 1827 the king, himself a Count of Vianden, repurchased the ruin for 1,100 florins hoping to begin restoration work. Unfortunately, his time was taken up with the Belgian Revolution of 1830 and it was not until 1851 that Prince Henry of the Netherlands reconstructed the chapel at his own expense, giving it a lower roof. When Adolphe of Nassau-Weilbourg became Grand Duke of Luxembourg in 1890, he charged Bobo Ebhardt, a German specialist, with further restoration. Although Ebhardt succeeded in making important progress, his work was interrupted by the First World War.
During the Second World War, in the Battle of Vianden which took place on November 19, 1944, the castle was ably defended against the Waffen-SS by members of the Luxembourgish anti-Nazi resistance, and proved to have some military value even under conditions of modern warfare.
It was not until 1962 that consideration was again given to restoration, resulting in reconstruction of the Armory. Further progress was hampered by questions of the castle's ownership. Only after Grand Duke Jean had ceded the castle to the State in 1977 did work continue. In 1978, attention turned to rebuilding the walls, the gables and the roof. In 1979, the chapel was also given a new roof and restored to reflect its original Gothic appearance had been lost during the fire of 1667 caused by lightning. The white tower was also reinforced and topped with a conical roof. Finally, after the Nassau Mansion was fully restored in 1981–82, efforts were made to refurnish the interior as authentically as possible. This work was completed in 1990.
The castle is open to visitors throughout the year.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.