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Dalheim Ricciacum is the site of a well-preserved Gallo-Roman theatre dating from the 2nd century AD. The site was first excavated by the Société Archéologique around 1850 under Antoine Namur (1812–1828). Thousands of objects were discovered, registered and described in three reports.
It appears that the settlement grew considerably until by the 3rd century it covered an area of about 25 hectares. In addition to the theatre there were private houses and large public buildings including a hostel, several temples and baths. There were also two large cemeteries. The findings indicate the population consisted of artisans and merchants. One of the more important finds was a magnificent temple measuring 28 by 19 metres. It dates from Emperor Hadrian's reign, about 130 AD.
The eagle monument commemorates the old Roman town Ricciacum and is also the symbol of Dalheim. The huge stone blocks forming the solid base of the monument were excavated in the 19th century, not far from their present location. The blocks no doubt date back to Roman times (middle of the 3rd century). They may have been removed from the Roman theatre in order to serve as the foundations of a burgus or defensive watchtower. The monument itself was built by the Archaeological Society of Luxembourg. On 28 May 1855, the groundbreaking ceremony was held in the presence of William III of the Netherlands who was also Grand Duke of Luxembourg. The memorial commemorates the presence of the Romans on Dalheim's Petzel plateau. Standing on a globe, the eagle seems to be looking in the direction of Trier while its body is facing Metz, symbolizing the old road from Metz to Trier.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.