Saint-Omer Cathedral is a Roman Catholic former cathedral, a minor basilica. It was formerly the seat of the Bishop of Saint-Omer, but the see was not restored after the French Revolution, being instead absorbed into the Diocese of Arras under the Concordat of 1801. The church is still commonly referred to as the 'cathedral' however.
The cathedral is an excellent example of the flamboyant style of gothic architecture of the 13th, 14th and early 15th centuries. The substantial, square tower (15th-16th century) is reminiscent of perpendicular gothic towers in England, such was the cross-over of architectural styles in the period. A 12th century octagonal tower also survives from an earlier building. Despite the length it took to construct, the overall effect is remarkably harmonious and uniform, in part because of the use of the distinctive local white limestone.
The church is also well-known for its sculpture and furnishings. The highlight is the "Descent from the Cross" by Rubens, but it also has a working astrological clock from 1558, some stained glass from the 15th century, the tomb effigy of Saint Omer himself (13th century) and interestingly, a statue of God from Therouanne, dated to around the 13th century: his strange proportions reflect the original intention to place it 60ft from the ground. Both south and west doors have interesting decorative sculptures, including a 13th century Doom on the south door.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.