Notre Dame de Lorette, also known as Ablain St.-Nazaire French Military Cemetery, is the world's largest French military cemetery. It is the name of a ridge, basilica, and French national cemetery northwest of Arras at the village of Ablain-Saint-Nazaire. The high point of the hump-backed ridge stands 165 metres high and - with Vimy Ridge - utterly dominates the otherwise flat Douai plain and the town of Arras.
The ground was strategically important during the First World War and was bitterly contested in a series of long and bloody engagements between the opposing French and German armies. It was the focal point of three battles of Artois (1914-1915). The Battles of Artois were as costly in French lives as the better-known Battle of Verdun. As with numerous other sites across France, Notre Dame de Lorette became a national necropolis, sacred ground containing the graves of French and Colonial fallen, as well as an ossuary, containing the bones of those whose names were not marked.
In total, the cemetery and ossuary hold the remains of more than 40,000 soldiers, as well as the ashes of many concentration camp victims. The basilica and memorial buildings were designed by the architect Louis-Marie Cordonnier and his son Jacques Cordonnier, and built between 1921 and 1927. The first small building was raised in 1727 by the painter Nicolas Florent Guilbert, who had made a successful pilgrimage to Loreto (Italy), to shelter a statue of the Virgin Mary. It was destroyed in 1794, rebuilt in 1816 and transformed in 1880.
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.