Jistrum church was built in the 13th century, the tower is a little older and dates from c. 1230. The church was once a Roman Catholic church dedicated to Saint Peter but was stripped of the Saints statues and painted/decorated walls in one week in 1581 during the Protestant Reformation and became a Protestant church. It is a well preserved and complete 13th century Romanesque church built of red brick.
The church has a gabled roof. On the corners of the nave is a buttress in brickwork, the outer walls are on the upper side decorated with so called keper friezen. The north wall has two Romanesque windows located in the higher zone of the wall, and the lower zone has two closed entrances with brick. The southern wall shows a similar layout but has two large lancet windows build in it, with one small Romanesque window at the tower side. The choir has five regular placed Romanesque windows and the nave is covered with a Romanesque-Gothic domevault. In each bay eight ribs come together in a ring. In the west bay the ribs are squire shaped. During a renovation two hagioscopes were discovered and restored. These windows are also known as leprozenruitjes (windows for people with leprosy).
The wooden pulpit from the third quarter of the 17th century is located against the north wall where the choir and bay meet.
Most of the Frisian churches have a golden rooster as weather vane, but on the 20.5 meters high tower of the church a horse is seen. The golden rooster is a symbol of Jesus Christ who breaks the power of the darkness, forgives sins and calls for a new day. The tower had also a rooster in the past, but it was blown of by the wind and could not be repaired. It was then replaced by a horse because it was cheaper. Apparently the price was more important than the symbolic value.
The original bell in the tower from 1759 was stolen by the Germans during World War II, the current bell dateing from 1949. In 2007, the renovation of the church started and the monumental Pipe organ from the other church in town was installed.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.