The Roman Catholic Cathedral of St. John (Sint-Janskathedraal) is probably the best sample of gothic architecture in the Netherlands. It has an extensive and richly decorated interior, and serves as the cathedral for the bishopric of 's-Hertogenbosch. The cathedral has a total length of 115 and a width of 62 metres. Its tower reaches 73 metres high.
Originally, the cathedral was built as a parish church and was dedicated to St. John Evangelist. In 1366 it became a collegiate church, and in 1559 it became the cathedral of the new diocese of 's-Hertogenbosch. After 1629, when the city was conquered by the Protestants and Catholicism was banned, a Protestant minority used the church, which came to be in a heavily dilapidated state. When Napoleon visited the town in 1810, he restored the building to the Catholics.
A Romanesque church used to stand on the spot where the St. John now resides. Its construction is thought to have started in 1220 and was finished in 1340. Around 1340, building began to extend the church, from which its current gothic style came. The transept and choir were finished in 1450. In 1505, the romanesque church was largely demolished, leaving only its tower. Construction of the gothic St. John was finished about the year 1525.
In the year 1584, a fire broke out in the high wooden crossing tower, more majestic than the current one. Soon the whole tower was set ablaze, and it collapsed upon the cathedral itself, taking with it much of the roof up to point where the organ was situated. In 1830, another fire damaged the western tower, which was repaired by 1842.
Underneath the clock tower there is a carillon. The clockwork can be found at the top of the Romanesque tower.
The first restoration of the cathedral lasted from 1859 to 1946. A second attempt at restoration was executed from 1961 to 1985. The third and most recent restoration started in 1998 and was completed in 2010, costing more than 48 million euro. Major parts of the building are once again covered by scaffolding erected for restoration of the outer stonework, but also, ironically, to remedy mistakes made by earlier restoration attempts.
The large organ in St. John's Cathedral is one of the most important organs of the Netherlands. The organ case of this organ is one of the most monumental of the Renaissance in the Netherlands. This organ has a long history that begins with the construction in the period 1618-1638 by Floris Hocque II, Hans Goltfuss and Germer van Hagerbeer. The rood loft and the organ case were built by Frans Simons, a carpenter who probably came from Leiden. The sculpture of the organ case was carved by Gregor Schysler from Tyrol, who, however, like Floris Hocque, was originally from Cologne.
The organ was renovated, expanded and improved in past centuries by several organ builders, according to the latest fashions. The last renovation took place in 1984 and was conducted by the Flentrop firm. The organ was restored to about the situation of 1787, as the German organ builder A.G.F. Heyneman left it. Use is made of many pipes of that era, but also of pipes from later periods. In late 2003 the organ was thoroughly cleaned.References:
Heraclea Lyncestis was an ancient Greek city in Macedon, ruled later by the Romans. It was founded by Philip II of Macedon in the middle of the 4th century BC. The city was named in honor of the mythological hero Heracles. The name Lynkestis originates from the name of the ancient kingdom, conquered by Philip, where the city was built.
Heraclea was a strategically important town during the Hellenistic period, as it was at the edge of Macedon"s border with Epirus to the west and Paeonia to the north, until the middle of the 2nd century BC, when the Romans conquered Macedon and destroyed its political power. The main Roman road in the area, Via Egnatia went through Heraclea, and Heraclea was an important stop. The prosperity of the city was maintained mainly due to this road.
The Roman emperor Hadrian built a theatre in the center of the town, on a hill, when many buildings in the Roman province of Macedonia were being restored. It began being used during the reign of Antoninus Pius. Inside the theatre there were three animal cages and in the western part a tunnel. The theatre went out of use during the late 4th century AD, when gladiator fights in the Roman Empire were banned, due to the spread of Christianity, the formulation of the Eastern Roman Empire, and the abandonment of, what was then perceived as, pagan rituals and entertainment.
In the early Byzantine period (4th to 6th centuries AD) Heraclea was an important episcopal centre. A small and a great basilica, the bishop"s residence, and a funerary basilica and the necropolis are some of the remains of this period. Three naves in the Great Basilica are covered with mosaics of very rich floral and figurative iconography; these well preserved mosaics are often regarded as fine examples of the early Christian art period.
The city was sacked by Ostrogoth/Visigoth forces, commanded by Theodoric the Great in 472 AD and again in 479 AD. It was restored in the late 5th and early 6th century. When an earthquake struck in 518 AD, the inhabitants of Heraclea gradually abandoned the city. Subsequently, at the eve of the 7th century, the Dragovites, a Slavic tribe pushed down from the north by the Avars, settled in the area. The last coin issue dates from ca. 585, which suggests that the city was finally captured by the Slavs. As result, in place of the deserted city theatre several huts were built.
The Episcopacy Residence was excavated between 1970 and 1975. The western part was discovered first and the southern side is near the town wall. The luxury rooms are located in the eastern part. The 2nd, 3rd and 4th rooms all have mosaic floors. Between the 3rd and 4th rooms there is a hole that led to the eastern entrance of the residence. The hole was purposefully created between the 4th and 6th century.