St. Martin's Cathedral or Dom Church was the cathedral of the bishopric of Utrecht during the Middle Ages. The first chapel dedicated to Saint Martin in Utrecht was founded around 630 by Frankish clergy under the patronage of the Merovingian kings but was destroyed during an attack of the Frisians on Utrecht shortly thereafter. The site of this first chapel within Utrecht is unknown. Saint Willibrord (died 739), the Apostle to the Frisians, established a second chapel devoted to Saint Martin on (or close to) the site of the current Dom. This church was destroyed by the Normans in the 9th century during one of their many raids on Utrecht, but was reconstructed by Bishop Balderik in the 10th century.
The church was repeatedly destroyed by fires and then rebuilt. A church in Romanesque style was built by Adalbold, Bishop of Utrecht, and consecrated in 1023. It is thought to have been the center of a cross-shaped conglomeration of 5 churches, called a Kerkenkruis, built to commemorate Conrad II. This building, also known as Adalbold's Dom, was partially destroyed in the big fire of 1253 which ravaged much of Utrecht, leading Bishop Hendrik van Vianen to initiate the construction of the current Gothic structure in 1254. The construction of the Gothic Dom was to continue well into the 16th century. The first part to be built was the choir. The Dom Tower was started in 1321 and finished in 1382. After 1515, steadily diminishing financing prevented completion of this building project, of which an almost complete series of building accounts exists. In 1566, the Beeldenstorm or Iconoclast Fury swept across much of the Low Countries, justified by the Calvinist belief that statues in a house of God were idolatrous images which must be destroyed. As a result, many of the ornaments on both the exterior and interior of the Dom were destroyed.
In 1580 the city government of Utrecht handed the Dom over to the Calvinists in the city. From then on Protestant services were held in the Dom with one brief exception during the French invasion of the Netherlands in 1672-1673, when Catholic masses were again held in the old cathedral. A year after the French retreat, the still unfinished and insufficiently supported nave collapsed on 1 August 1674 during a massive regional storm that caused a tornado to develop in Utrecht. Over the subsequent centuries, much of the enormous building fell into further neglect. The pitiable state of the Dom led to some small restoration activities in the nineteenth century, followed by major renovations in the early twentieth century with the aim of returning the Cathedral to its original state. However, the nave was never rebuilt.
When in 1853 the Roman Catholic Church re-established its episcopal hierarchy in the Netherlands, the former St. Catherine's church of the Carmelites was turned into the new Catholic cathedral of Utrecht.
What remains of St. Martin's today are the choir, the transept and the Dom Tower. The central nave of the cathedral which collapsed in the storm of 1674 is now a square with large trees, the Domplein. Stones in various colours indicate in the pavement the original outlines of the church. A cloister and a chapter house, which is now the main hall of Utrecht University, are also still standing.
The only medieval tomb of importance to remain relatively unscathed in the Dom is that of Bishop Guy of Avesnes (also known as Gwijde van Henegouwen), the brother of John II, Count of Holland and Hainaut, who was bishop from 1301 until his death in 1317. There are many other beautifully carved burial slabs and memorials in the cathedral. Of particular note is the monumental cenotaph, which contained the heart of Bishop Joris of Egmond (died 1559).
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.