St. Martin's Cathedral or Dom Church was the cathedral of the bishopric of Utrecht during the Middle Ages. The first chapel dedicated to Saint Martin in Utrecht was founded around 630 by Frankish clergy under the patronage of the Merovingian kings but was destroyed during an attack of the Frisians on Utrecht shortly thereafter. The site of this first chapel within Utrecht is unknown. Saint Willibrord (died 739), the Apostle to the Frisians, established a second chapel devoted to Saint Martin on (or close to) the site of the current Dom. This church was destroyed by the Normans in the 9th century during one of their many raids on Utrecht, but was reconstructed by Bishop Balderik in the 10th century.
The church was repeatedly destroyed by fires and then rebuilt. A church in Romanesque style was built by Adalbold, Bishop of Utrecht, and consecrated in 1023. It is thought to have been the center of a cross-shaped conglomeration of 5 churches, called a Kerkenkruis, built to commemorate Conrad II. This building, also known as Adalbold's Dom, was partially destroyed in the big fire of 1253 which ravaged much of Utrecht, leading Bishop Hendrik van Vianen to initiate the construction of the current Gothic structure in 1254. The construction of the Gothic Dom was to continue well into the 16th century. The first part to be built was the choir. The Dom Tower was started in 1321 and finished in 1382. After 1515, steadily diminishing financing prevented completion of this building project, of which an almost complete series of building accounts exists. In 1566, the Beeldenstorm or Iconoclast Fury swept across much of the Low Countries, justified by the Calvinist belief that statues in a house of God were idolatrous images which must be destroyed. As a result, many of the ornaments on both the exterior and interior of the Dom were destroyed.
In 1580 the city government of Utrecht handed the Dom over to the Calvinists in the city. From then on Protestant services were held in the Dom with one brief exception during the French invasion of the Netherlands in 1672-1673, when Catholic masses were again held in the old cathedral. A year after the French retreat, the still unfinished and insufficiently supported nave collapsed on 1 August 1674 during a massive regional storm that caused a tornado to develop in Utrecht. Over the subsequent centuries, much of the enormous building fell into further neglect. The pitiable state of the Dom led to some small restoration activities in the nineteenth century, followed by major renovations in the early twentieth century with the aim of returning the Cathedral to its original state. However, the nave was never rebuilt.
When in 1853 the Roman Catholic Church re-established its episcopal hierarchy in the Netherlands, the former St. Catherine's church of the Carmelites was turned into the new Catholic cathedral of Utrecht.
What remains of St. Martin's today are the choir, the transept and the Dom Tower. The central nave of the cathedral which collapsed in the storm of 1674 is now a square with large trees, the Domplein. Stones in various colours indicate in the pavement the original outlines of the church. A cloister and a chapter house, which is now the main hall of Utrecht University, are also still standing.
The only medieval tomb of importance to remain relatively unscathed in the Dom is that of Bishop Guy of Avesnes (also known as Gwijde van Henegouwen), the brother of John II, Count of Holland and Hainaut, who was bishop from 1301 until his death in 1317. There are many other beautifully carved burial slabs and memorials in the cathedral. Of particular note is the monumental cenotaph, which contained the heart of Bishop Joris of Egmond (died 1559).
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.