Slidredomen is the old principal parish church in Valdres, dating back to the 1100s. The church was mentioned in writing for the first time in a letter from the pope in 1264, and it was then referred to as 'ecclesie Sancte Marie De Slidrum'. It also features the inscription 'Maria' in runic letters. The south-facing main entrance is equipped with medieval fittings in wrought iron and measuring stick. A cross has been engraved into the stone frame, and the door opening features a labyrinth. Traces of five consecration crosses can be found in the church, and the northern wall of the nave has a painted coat-of-arms from around 1330-1350.
On the eastern wall of the choir is an impressive lime painting from the 1400s. It shows the apostles, an illustration of the ascension and, at the very top, a blessing of coronation amid angles with musical instrument. The choir`s roof painting dates back to around 1250, and shows Christ surrounded by the evangelist symbols.Slidredomen has a unique altar chalice which is still in use, and which was probably made during the period 1325-1350. Salomon, the bishop of Oslo from 1322-1351, was the vicar of Slidre in 1298. He donated the chalice to his old church as a thank you for surviving the Black Death in 1350. The altarpiece, pulpit and choir partition were painted in 1797 and 1798.
In the olden days, Slidredomen had '12 bells ringing in perfect harmony. Today the church has 4 bells in the turret and two bells in the belfry. The belfry is dated 1679 and 1798.References:
The Old Town in Aarhus, Denmark (Den Gamle By), is an open-air town museum consisting of 75 historical buildings collected from 20 townships in all parts of the country. In 1914 the museum opened as the world's first open-air museum of its kind, concentrating on town culture rather than village culture, and to this day it remains one of just a few top rated Danish museums outside Copenhagen.
The museum buildings are organized into a small town of chiefly half-timbered structures originally erected between 1550 and the late 19th century in various parts of the country and later moved to Aarhus during the 20th century. In all there are some 27 rooms, chambers or kitchens, 34 workshops, 10 groceries or shops, 5 historical gardens, a post office, a customs office, a school and a theatre.
The town itself is the main attraction but most buildings are open for visitors; rooms are either decorated in the original historical style or organized into larger exhibits of which there are 5 regular with varying themes. There are several groceries, diners and workshops spread throughout the town with museum staff working in the roles of town figures i.e. merchant, blacksmith etc. adding to the illusion of a 'living' town.