Ulnes Church is a stone church built around 1265, and was first time mentioned in documents in 1307. The choir comprises a very old baptismal font cover. A female figure from the 13th or 14th century is displayed in a glass case in the entrance hall. This is one half of a figure illustrating the meeting between Mary and Elisabeth. The church used to have an altar front from the period 1325-1350, showing St. Margareth, St. Peter, St. Paul and St. Sunniva. The baptismal angels (fonts) date back to 1793 and 1873, and the most recent one was made by Ole Fladager from Ulnes, Norway`s most renowned sculptor during the 1800s.
Wall paintings in the choir and over the choir arch are from the 1790s. Among them are illustrations sucha as Jesus with three of his disciples and Zacchaeus in the mulberry tree. Ulnes church is the only one in Norway featuring an illustration of the Zacchaeus story. The altarpiece from 1850 has its own special history. By means of a pull-string, the Three Holy Kings can revolve around Maria and the child. This is the onlye altarpiece in Norway with a feature of this kind.
During the 1840s, two brothers from Ulnes wanted to go to America. One of them was a woodcarver and the other one was a painter. Their ship went down during a North Sea storm, and in their prayers they promised God that if they survived they would go home and donate a beautiful gift to their church. The lifeboat was washed ashore in the Netherlands, and from there they went to Germany where they spent three years as apprentices to master craftsmen while also studying altarpieces. Then they went home and created the altarpiece. Later on they left for America, and arrived safely.
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The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.