Årdal old church (Årdal gamle kirke) is one of the most distinctive and beautiful wooden Renaissance churches from the 17th century. The church was built in three stages, the first stage in 1619. Later, as the church grew too small, one of the short walls was sawn out in order to lengthen the church. This explains its unusual shape. Inside, the church has many beautiful painted decorations of prophets, angels and flowers.
The church was marked by the work of two local artists, the German painter Gottfried Hendtzschel and his student, craftsman Lauritz Snekker. The altarpiece and the pulpit was painted by Hendtzschel. They are made of Snekker who is also responsible for most of the carpentry work. The artistic efforts of Hendtzschel and Snekker within various churches in the vicinity formed a part of the Stranganger Renaissance, the cultural period which peaked in the middle of the 17th century in the area around Stavanger, Norway.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.