Mouse Tower, a Gothic brick tower from the 14th century, is the most recognized monument in Kruszwica and the unofficial symbol of the town. It was built by the With the remains of walls, it is a part of defense castle remnants. The castle was founded by king Kazimierz the Great. In 1656, the castle was seized by the Swedish army which burnt it down as they were retreating.
In the late years of 18th century, the castle ruins were gradually dismantled and its bricks floated up the Noteć river to Inowrocław. During excavation works carried out in the early 20th century, a number of other fragments of the castle and movable objects of historic interest were discovered. In the northern part of the castle hill, relics of an early-mediaeval burg-city were found: wooden huts with clay threshing floors and hearths; clog-lined streets; numerous pieces of equipment; ornaments and implements (incl. e.g. glass beads, amber products, clay vessels, bronze and iron products).
The name of the tower derives from the folk legend. Prince Popiel ІІ (or Duke Popiel) was a legendary 9th century ruler of the West Slavic tribe of Goplans and Polans. According to the chroniclers Gallus Anonymus, Jan Długosz and Marcin Kromer, as a consequence of his bad rule he was deposed, besieged by his subjects, and eaten alive by mice in a tower in Kruszwica. However, it cannot be the site of the events described in the legend as it was erected some 500 years thereafter.References:
The Jelling stones are massive carved runestones from the 10th century, found at the town of Jelling in Denmark. The older of the two Jelling stones was raised by King Gorm the Old in memory of his wife Thyra. The larger of the two stones was raised by King Gorm's son, Harald Bluetooth in memory of his parents, celebrating his conquest of Denmark and Norway, and his conversion of the Danes to Christianity. The runic inscriptions on these stones are considered the most well known in Denmark.
The Jelling stones stand in the churchyard of Jelling church between two large mounds. The stones represent the transitional period between the indigenous Norse paganism and the process of Christianization in Denmark; the larger stone is often cited as Denmark's baptismal certificate (dåbsattest), containing a depiction of Christ. They are strongly identified with the creation of Denmark as a nation state and both stones feature one of the earliest records of the name 'Danmark'.
After having been exposed to all kinds of weather for a thousand years cracks are beginning to show. On the 15th of November 2008 experts from UNESCO examined the stones to determine their condition. Experts requested that the stones be moved to an indoor exhibition hall, or in some other way protected in situ, to prevent further damage from the weather.
Heritage Agency of Denmark decided to keep the stones in their current location and selected a protective casing design from 157 projects submitted through a competition. The winner of the competition was Nobel Architects. The glass casing creates a climate system that keeps the stones at a fixed temperature and humidity and protects them from weathering. The design features rectangular glass casings strengthened by two solid bronze sides mounted on a supporting steel skeleton. The glass is coated with an anti-reflective material that gives the exhibit a greenish hue. Additionally, the bronze patina gives off a rusty, greenish colour, highlighting the runestones' gray and reddish tones and emphasising their monumental character and significance.