Sandavágur Church

Sandavágur, Faroe Islands

Sandavágur Church is a distinctive red-roofed church built in 1917. A memorial was erected outside the church to one of the many ships that were sunk during the Second World War.

The church is known for its runestone. The inscription on the Sandavágur stone tells that the Norwegian Torkil Onandarson from Rogaland was the first settler on this place. It is believed to be dated back to the 13th century.

References:

Comments

Your name



Details

Founded: 1917
Category: Religious sites in Faroe Islands

Rating

4.6/5 (based on Google user reviews)

User Reviews

Dana Johnson (2 years ago)
Free to enter but visiting hours to view the inside are very limited at Monday through Friday, 14:00 to 16:00. I've tried to add this to Google. We visited in late May. The interior is lovely and features the Sandavagur runestone behind the altar. Nice woodwork and colors. I recommend also viewing the statue behind the church by the water and the nearby sign describing the legend of the Shepherd of Sondum
George Zaharieff (2 years ago)
The black sands are unique and the ocean view is really nice. Beware of the freezing wind and the cold weather in December!
Joy Wong (3 years ago)
Beautiful Faroese church. You’re welcome to sign the guest book, as beckoned by the friendly staff.
Alison George (3 years ago)
Well worth the visit. Opening times on third photo. Wednesday to Friday, 2pm - 4pm.
David Smith (3 years ago)
Beautiful coloured church in Sandavagur. Also check out the statue opposite regarding the legend of the shepherd and the giant.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Wieskirche

The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.

The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.

The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.