Hvaler church is probably one of the oldest in Norway. According carbon dating methods on wood samples analyzed in 1960 it was originally built between 920 and 1080 AD. The current church nave dates mainly from the 12-13th centuries. Archeologists carried out extensive excavations during the restoration from 1953 to 1956. They discoverede there was a fireplace under the foundations dating from the age between 120 BC and 80 AD. There may have been a prehistoric pagan site of worship on the church site. Archeologists also found 804 coins under the choir floor. While many originate from Norway, some are from Germany, Denmark, and Sweden. Most of the coins date from the Middle Ages, the oldest is from 1130.
Hvaler church was privately owned from 1724 and became as a municipal property in 1860. The Renaissance style pulpit is from 1620. During its renovation in 1734, Andreas Schavenius, who later owned the church from 1759 to 1778, gave and mounted the canopy and Rococo ornaments. The limestone baptismal font dates from 1250-1300.
The Rococo style altar is from about 1750 and given by Andreas Schavenius. Featured on the altarpiece from 1759 is Eggert Munch's oil painting of the crucifixion. On the altar are two large brass candlesticks probably originating from Holland about 1600.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.