Fredriksten Fortress was constructed by Denmark-Norway in the 17th century as a replacement for the border fortress at Bohus, which had been lost when the province of Bohuslän was ceded to Sweden by the terms of the Treaty of Roskilde in 1658. The fortress was named after King Fredrik III of Denmark and Norway. Fredriksten took part to the battle first time two years later, in January of 1660, when the Swedish forces attacked Halden for the third time. After the attempt to storm the fortifications was unsuccessful, the Swedes prepared a regular siege. On 22 February 1660 the Swedes again were forced to retreat to Bohuslen until they heard that their king Charles X had died.
The existing star shaped fortress complex was upgraded during the period of peace between 1661–1675. In 1673 Denmark dispatched Ulrik Frederik Gyldenløve as statholder to Norway to organize the military forces and strengthen the defenses of the kingdom. After a tour of facilities, he recommended further upgrades to both the fortress and the military forces. In the summer of 1675, 1800 men were kept at work on the fortresses at Akershus, Fredrikstad, and Fredrikshald. Fredriksten was expanded from 1682–1701. It now included three outer fortifications: Gyldenløve, Overberget and Stortårnet.
At the close of the Great Northern War Charles XII of Sweden attempted to take Frederiksten by storm on 4 July 1716. His troops took the town after fierce fighting, but the citizens set fire to their own houses, forcing Charles, unable to take the fortress, to retreat and await the arrival of heavy siege guns. Unfortunately for the invading army the entire Swedish transport fleet was captured or destroyed by the Norwegian naval hero Tordenskjold at the Battle of Dynekilen in Bohuslen. Running low on supplies, Charles retreated hastily across the Svinesund and burned the bridges behind him. By 12 July 1716 all Swedish troops had been withdrawn from the area around Fredriksten.
In the Autumn of 1718 Charles once more attacked Norway, intending to first capture Halden to be able to sustain a siege of Akershus. The 1,400 strong garrison of Frederiksten fought ferociously to hold back the invasion, but suffered a severe setback when, on 8 December the forward fortification Fort Gyldenløve fell. Encouraged by their very hard-fought success the Swedish army intensified their efforts against the main fort. The Swedish trenches had almost reached the main fortification walls when on the evening of 11 December 1718, a bullet struck and killed Charles XII while he inspected the work. The death of the king effectively ended the attack on Fredriksten and the invasion was called off, leading to the conclusion of the war. A memorial is located in the park named in his memory where the Swedish king fell, just in front of the fortress.
In 1788 the fortress served as a staging area for a mock attack on Sweden during the Theater War. During The Napoleonic Wars the fortress was bombarded in 1814 but not captured. The advancing Swedish forces of Charles John passed it on their advance, leaving a force that tried to force its surrender, but the fortress and its commander kept the ground. It was turned over to Sweden after the Convention of Moss. The old fortress flag from 1814, taken by the Swedish troops and not returned to Norway until 1964, is preserved in the present day museum located inside the inner fortress.
After 1905 the fortress lost all military significance, but it still hosted various units. As of today the Norwegian defence logistics and administrative college is situated by the fortress. The fortress also hosts several museums and art exhibitions. During the summer season outdoor concerts are arranged with both classic and contemporary music.References:
The Cathedral of Limburg is one of the best preserved late Romanesque style buildings. It is unknown When the first church was built above the Lahn river. Archaeological discoveries have revealed traces of a 9th-century church building in the area of the current chapel. It was probably built in Merovingian times as a castle and the chapel added in the early 9th century.
In 910 AD, Count Konrad Kurzbold (cousin of the future King Konrad I) founded a collegiate chapter of 18 canons, who lived according to the rule of Bishop Chrodegang of Metz, on the hilltop site. The original castle chapel was torn down and a three-aisled basilica was built in its place. The foundations of this basilica have been found beneath the present floor.
The construction of current cathedral is dated to 1180-90. The consecration was performed in 1235 by the archbishop of Trier. It seems certain that the cathedral was built in four stages. The first stage encompassed the west facade, the south side aisle, the choir and the transept up to the matroneum. This section forms the Conradine church. The second stage consisted of the addition of the inner pillars of the south nave. In this stage the bound system was first introduced. In the third phase, the matroneum in the southern nave was built. The fourth stage included the north side of the transept and the choir matroneum. By this stage Gothic influence is very clear.
The interior was destroyed by Swedish soldiers during the Thirty Years War (1618-48) and reconstructed in a late Baroque style in 1749. The Baroque renovation was heavy-handed: the surviving medieval stained glass windows were replaced; all the murals were covered up; the ribs of the vaults and columns of the arcades were painted blue and red; the capstones were gilded; the original high altar was replaced. The colorfully painted exterior was coated in plain white and the central tower was extended by 6.5 meters.
The collegiate chapter of Limburg was dissolved in 1803 during the Napoleonic period, but then raised to the rank of cathedral in 1827 when the bishopric of Limburg was founded. Some renovations in contemporary style followed: the walls were coated white, the windows were redone in blue and orange (the heraldic colors of the Duke of Nassau) and towers were added to the south transept (1865).
Further changes came after Limburg was incorporated into the Kingdom of Prussia in 1866. It was now the Romantic period and the cathedral was accordingly restored to an idealized vision of its original Romanesque appearance. The exterior stonework was stripped of all its plaster and paint, to better conform with the Romantic ideal of a medieval church growing out of the rock. The Baroque interior was stripped away and the wall paintings were uncovered and repainted.
Further renovations came in 1934-35, enlightened by better knowledge of the original art and architecture. Art Nouveau stained glass windows were also added. A major restoration in 1965-90 included replastering and painting the exterior, both to restore it to its original appearance and to protect the stonework, which was rapidly deteriorating while exposed to the elements.
The interior is covered in medieval frescoes dating from 1220 to 1235. They are magnificent and important survivals, but time has not been terribly kind to them - they were whitewashed over in the Baroque period (1749) and uncovered and repainted with a heavy hand in the Romantic period (1870s) before finally being restored more sensitively in the 1980s.