St. Basil's Cathedral was built to commemorate the capture of the Tatar stronghold of Kazan in 1552, which occured on the Feast of the Intercession of the Virgin. It is named after St. Basil the Blessed. Basil impressed Ivan in 1547 when he foretold a fire that swept through Moscow that year. Upon his death, Basil was buried in the Trinity Cathedral that stood on this site at the time. The cathedral was constructed from 1555 to 1560. In 1588, Tsar Fyodor Ivanovich added a ninth chapel added on the eastern side to house the grave of St. Basil.
St. Basil"s Cathedral consists of nine chapels built on a single foundation. The riot of color and shapes that is St. Basil"s Cathedral is unmatched anywhere else in the world. The powerfully eastern design of St. Basil"s reflects both its location between Europe and Asia and its historical origins. Since the Kazan Qolsharif mosque had been the principal symbol of the Khanate captured by Ivan the Terrible, some elements from the mosque were incorporated into the cathedral to symbolize the victory.
Although the towers and domes appear chaotic, there is symmetry and symbolism in its design. There are eight domed chapels symbolizing the eight assaults on Kazan: four large and octagonal and four small and square. In the center is a tent-roofed spire topped with a small golden dome. The ninth chapel on the east side added in 1588 for Basil"s tomb interrupts the symmetery of design somewhat. It can be recognized on the outside by its green-and-gold dome studded with with golden pyramids.
The interior is a maze of galleries winding from chapel to chapel and level to level via narrow stairways and low arches. The walls are painted in floral and geometric patterns.
St. Basil the Blessed can be visited in his chapel on the lower floor, where he lies in a silver casket in gaudy splendor. Upstairs, the Chapel of the Intercession contains the equally splendid blue and gold iconostasis. Other chapels, such as that of St. Nicholas, are more restrained and even austere in their decor.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.