St. Basil's Cathedral was built to commemorate the capture of the Tatar stronghold of Kazan in 1552, which occured on the Feast of the Intercession of the Virgin. It is named after St. Basil the Blessed. Basil impressed Ivan in 1547 when he foretold a fire that swept through Moscow that year. Upon his death, Basil was buried in the Trinity Cathedral that stood on this site at the time. The cathedral was constructed from 1555 to 1560. In 1588, Tsar Fyodor Ivanovich added a ninth chapel added on the eastern side to house the grave of St. Basil.
St. Basil"s Cathedral consists of nine chapels built on a single foundation. The riot of color and shapes that is St. Basil"s Cathedral is unmatched anywhere else in the world. The powerfully eastern design of St. Basil"s reflects both its location between Europe and Asia and its historical origins. Since the Kazan Qolsharif mosque had been the principal symbol of the Khanate captured by Ivan the Terrible, some elements from the mosque were incorporated into the cathedral to symbolize the victory.
Although the towers and domes appear chaotic, there is symmetry and symbolism in its design. There are eight domed chapels symbolizing the eight assaults on Kazan: four large and octagonal and four small and square. In the center is a tent-roofed spire topped with a small golden dome. The ninth chapel on the east side added in 1588 for Basil"s tomb interrupts the symmetery of design somewhat. It can be recognized on the outside by its green-and-gold dome studded with with golden pyramids.
The interior is a maze of galleries winding from chapel to chapel and level to level via narrow stairways and low arches. The walls are painted in floral and geometric patterns.
St. Basil the Blessed can be visited in his chapel on the lower floor, where he lies in a silver casket in gaudy splendor. Upstairs, the Chapel of the Intercession contains the equally splendid blue and gold iconostasis. Other chapels, such as that of St. Nicholas, are more restrained and even austere in their decor.References:
The Palace of the Kings of Navarre of Olite was one of the seats of the Court of the Kingdom of Navarre, since the reign of Charles III 'the Noble' until its conquest by Castile (1512). The fortification is both castle and palace, although it was built more like a courtier building to fulfill a military function.
On an ancient Roman fortification was built during the reign of Sancho VII of Navarre (13th century) and extended by his successors Theobald I and Theobald II, which the latter was is installed in the palace in 1269 and there he signed the consent letter for the wedding of Blanche of Artois with his brother Henry I of Navarre, who in turn, Henry I since 1271 used the palace as a temporary residence. This ancient area is known as the Old Palace.
Then the palace was housing the Navarrese court from the 14th until 16th centuries, Since the annexation (integration) of the kingdom of Navarre for the Crown of Castile in 1512 began the decline of the castle and therefore its practically neglect and deterioration. At that time it was an official residence for the Viceroys of Navarre.
In 1813 Navarrese guerrilla fighter Espoz y Mina during the Napoleonic French Invasion burned the palace with the aim to French could not make forts in it, which almost brought in ruin. It is since 1937 when architects José and Javier Yarnoz Larrosa began the rehabilitation (except the non-damaged church) for the castle palace, giving it back its original appearance and see today. The restoration work was completed in 1967 and was paid by the Foral Government of Navarre.