The Cathedral of the Twelve Apostles forms part of the same building as the Patriarch's Palace. Although building began in 1640, the whole ensemble is primarily associated with Patriarch Nikon (1652 - 1658), whose tenure as head of the Russian Church was marked by the schism that separated the Old Believers from the official church, and by ongoing conflict with Tsar Aleksei.
The site of the Palace dates back further, however. Since the early 14th Century this plot of land had been the Metropolitan's, and then the Patriarch's estate. The Cathedral forms the grand entrance to the luxurious Palace, and was built on Nikon's own initiative - the atrium of the church led directly to the Patriarch's stone cell. The design of the Cathedral is based on the old churches of Vladimir and Suzdal, with four supporting columns, five cupolas, and a high, two-tiered porch on the northern face. Although the smooth, somewhat austere exterior of the building is unobtrusive, the original interiors of the Palace were reportedly astonishingly lavish, rivalling the Tsar's own Terem Palace in luxury and wealth.
The five-tier iconostasis in the Cathedral was transferred here from the Ascension Monastery, which was destroyed in the 1920s. The Cathedral also contains images of Saints Peter and Paul drawn in the 12th Century, which were a gift to Peter the Great from the papacy. The Cathedral was closed down in 1918, and the ground floor of the Palace and Cathedral now houses the Museum of 17th Century Life and Applied Art, which contains a number of icons from various of the Kremlin cathedrals, as well as furniture and ecclesiastical costumes from the time.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.