he Kremlin Presidium, also known as Building 14 was constructed in 1934. It formerly housed the Supreme Soviet, the highest legislative body of the Soviet Union. Currently, it houses various offices of the Russian presidential administration, the Kremlin Commandant’s office and offices of the FSO and is thus a highly secured and restricted area closed to the public. At present, only the southern corner façade, opposite the Tsar Bell can be viewed.
The four-story building has three wings opening towards the Senate, connected by a central building which faces the Taynitskaya Garden to the south. The southern facade has a row of Ionic order columns, with a gable roof in the center, reflecting the Neoclassical style of the adjacent Senate building. However, the wing halls are much simpler and less conspicuous. The building has three floors and is painted in the same yellow color as many other administrative buildings within the Moscow Kremlin.
The Presidium stands on the site of Chudov Monastery, founded in 1365 by the Metropolitan Alexius and the old Ascension Convent. These were among the historic buildings with the grounds of the Kremlin ordered to be destroyed by Joseph Stalin as part of the state atheism campaign, which resulted razing of religious structures from all over Russia. Work on a new administrative building for the Soviet government began almost immediately, and Ivan Rerberg, a prominent Moscow architect who had designed Kiyevsky Rail Terminal was assigned to the task.
The new building was completed in 1934, two years after Rerberg’s death. Initially, it had no name, and was used as the Red Commanders School, a military academy for Red Army leaders. The school was relocated in 1935, and from 1938, housed the offices of the Presidium of the Supreme Soviet, whose head was the titular de jure head of state of the Soviet Union. From 1958-1961, part of the building was converted into the 1200 seat Kremlin Theatre.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.