he Kremlin Presidium, also known as Building 14 was constructed in 1934. It formerly housed the Supreme Soviet, the highest legislative body of the Soviet Union. Currently, it houses various offices of the Russian presidential administration, the Kremlin Commandant’s office and offices of the FSO and is thus a highly secured and restricted area closed to the public. At present, only the southern corner façade, opposite the Tsar Bell can be viewed.
The four-story building has three wings opening towards the Senate, connected by a central building which faces the Taynitskaya Garden to the south. The southern facade has a row of Ionic order columns, with a gable roof in the center, reflecting the Neoclassical style of the adjacent Senate building. However, the wing halls are much simpler and less conspicuous. The building has three floors and is painted in the same yellow color as many other administrative buildings within the Moscow Kremlin.
The Presidium stands on the site of Chudov Monastery, founded in 1365 by the Metropolitan Alexius and the old Ascension Convent. These were among the historic buildings with the grounds of the Kremlin ordered to be destroyed by Joseph Stalin as part of the state atheism campaign, which resulted razing of religious structures from all over Russia. Work on a new administrative building for the Soviet government began almost immediately, and Ivan Rerberg, a prominent Moscow architect who had designed Kiyevsky Rail Terminal was assigned to the task.
The new building was completed in 1934, two years after Rerberg’s death. Initially, it had no name, and was used as the Red Commanders School, a military academy for Red Army leaders. The school was relocated in 1935, and from 1938, housed the offices of the Presidium of the Supreme Soviet, whose head was the titular de jure head of state of the Soviet Union. From 1958-1961, part of the building was converted into the 1200 seat Kremlin Theatre.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.