The Chêciny Royal Castle was built in the late 13th century. It is certain that the castle existed in 1306, when king W³adys³aw I gave it to the Archbishop of Kraków, Jan Muskata. A year later, under the pretext of detection of a plot against the royal power, the castle returned to the king. It played a significant role as a place of concentration of troops departing for war with the Teutonic Knights. After the death of W³adys³aw the stronghold was enlarged by Casimir III the Great. At that time Chêciny become a residence of the king"s second wife Adelaide of Hesse. In following years it was also a residence of Elisabeth of Poland, Queen of Hungary, Sophia of Halshany and her son W³adys³aw III of Varna and Bona Sforza. Later it was used for many years as a state prison. Among imprisoned here were Michael Küchmeister von Sternberg future Grand Master of the Teutonic Knights, Andrzej Wingold, Jogaila"s half-brother and Warcis³aw of Gotartowice.
In the second half of the 16th century, the castle began to decline. In 1588 the parliament ordered to transfer the castle"s inventories to the Chêciny Church and in 1607, during the Zebrzydowski Rebellion the fortifications and buildings were partially destroyed and burned. The castle briefly regained its former glory due to reconstruction initiated by Stanis³aw Branicki, starost of Chêciny, but in 1655-1657 it was almost completely destroyed by Swedish-Brandenburgian and Transylvanian troops. The destruction was completed in 1707 during another Swedish occupation. Then, the last residents left the castle. Over the next century the medieval walls become a source of building material for local villagers.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.