Quedlinburg Abbey was a house of secular canonesses. It was founded on the castle hill of Quedlinburg in the present Saxony-Anhalt in 936 by Otto I, Holy Roman Emperor, at the request of his mother Queen Matilda, later canonised as Saint Matilda, in honour of her late husband, Otto"s father, King Henry the Fowler, and as his memorial. Henry was buried here, as was Matilda herself.
Thanks to its Imperial connections the new foundation attracted rich endowments and was soon a wealthy and thriving community. Ecclesiastically, the abbess was exempt from the jurisdiction of her diocesan, the Bishop of Halberstadt, and subject to no superior except the Pope. The bishops of Halberstadt were constantly engaged in dispute with the abbesses, as they claimed to have spiritual jurisdiction over the abbey in virtue of subjection of women to men.
The abbess, as head of an Imperial Abbey, has seat and voice at the Imperial Diet. She sat on the Bench of the Prelates of the Rhineland of the Ecclesiastical Bench of the College of Ruling Princes.
During the Reformation the abbey became Protestant, under Abbess Anna II (Countess of Stolberg). In the course of the German Mediatisation of 1803 the Imperial Abbey was secularized and its territory, properties and subjects were absorbed by the Kingdom of Prussia as the Principality of Quedlinburg. Between 1807 and 1813 it belonged to the short-lived Kingdom of Westphalia.
The church of St. Servatius is dedicated to Saint Servatius of Tongeren and Saint Denis and is a significant Romanesque building. Construction of the three-naved basilica on the remains of three predecessor buildings began sometime before 997 and finished in 1021. A fire in 1070 caused severe damage. The building was rebuilt in its previous form, and was rededicated in 1129 in the presence of Lothar III.
The abbey also received numerous gifts of precious books, manuscripts and liturgical items, which were stored in the treasury. At the end of World War II a number of the most valuable items were looted by an American soldier, Joe Tom Meador, including the reliquary of Saint Servatius, from the time of Charles the Bald and other treasures. The stolen items reappeared in 1987 and after much litigation were returned to the abbey in 1993.
The abbey is also known as the home of the 'Annals of Quedlinburg', begun in 1008 and finished in 1030 in the abbey, quite possibly by a female writer. Quedlinburg was well suited for gathering information on current political affairs, given its connections to the Imperial family and the proximity of Magdeburg, an Imperial centre. The annals are mostly concerned with the history of the Holy Roman Empire.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.