Saarbrücken Castle

Saarbrücken, Germany

The existence of Saarbrücken was first documented in 999 under the name 'Castellum Sarabrucca'. In the 17th century the castle was rebuilt in the style of the Renaissance, but later destroyed and now only the cellars of this construction remain. In the 18th century Prince Wilhelm Heinrich had his architect Stengel build a new Baroque residence on the same site. Since then the castle has suffered various bouts of destruction and was partially burnt down and reconstructed before being thoroughly and magnificently renovated in 1989. The architect Gottfried Böhm designed a state-of-the-art central block of steel and glass. The castle is now both an administrative centre and a venue for cultural events, conferences and festivities.

References:

Comments

Your name

Website (optional)



Details

Founded: 18th century
Category: Castles and fortifications in Germany
Historical period: Thirty Years War & Rise of Prussia (Germany)

Rating

4.4/5 (based on Google user reviews)

User Reviews

Charlotte Finch (22 months ago)
Great museum! We took the train in from Kaiserslautern, and this was a quick walk and easy to find. There was enough information in English that we were able to follow along. We loved being able to walk down into the moat and see original parts of the castle.
Sergiu Butcaru (22 months ago)
Nice view from there.
Safwan Hasan (23 months ago)
We were there to celebrate the new year's eve, many people were there too, fireworks all over the place
Virginia Wenz (2 years ago)
Beautiful building with a very nice view. Absolutely worth going.
C W (2 years ago)
nice view over the Saar river and the city. there's a beer garden and a restaurant. many bridal couples take pictures in the castle garden. very well upkelt building and catacombs. there's also a museum nearby.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Luxembourg Palace

The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.

The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.

In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.

During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.

Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.

The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.

During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.