The Basilica of St. Wendelin (Wendelinusbasilika) in St. Wendel is widely visible as a town landmark. The continued movement to worship Saint Wendelin led to it being built as a late Gothic hall church in the 14th century. The driving force for this was the Elector Balduin von Trier, who acquired the town in 1327 and had it developed into an economic and cultural centre. The east choir was finished first in the middle of the 14th century and was used as a separate church room. The entrance to the east choir can still be recognised today by the door in the middle section of the wall. It was not until around 1400 that the western tower complex was built. The central nave and southern atrium, which served as an assembly room, were completed around 1460. The chest with Saint Wendelin’s remains was transferred from the Magdalene Chapel to the Basilica on Whit Monday in 1360.
Particularly worth seeing is the stone pulpit, one of the last few in existence in Germany. It bears the coat of arms of the patron Nikolaus of Kues (crab and cardinal's hat). The raised sarcophagus containing the bones of Saint Wendelin is situated behind the altar. Pilgrims still walk under the sarcophagus today. The twelve apostles can be seen on the sides of the sarcophagus. The empty tomb of Saint Wendelin, created in around 1370, stands in the middle of the choir. The Basilica is considered to be the most beautiful sacred building in the Saarland due to its numerous vaulted paintings depicting plants and animals. Baroque figures depicting the guild saints are situated on the walls of the side aisles. The most valuable work of art in the church is the burial group, which was created around 1480. Saint Wendelin is the patron saint of the environment and animals.The Basilica of St. Wendelin is still considered an important pilgrimage church and a place where events for pilgrims and organ concerts take place all year round.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.