The Saalburg is a Roman fort located on the Taunus ridge northwest of Bad Homburg. It is a Cohort Fort belonging to the Limes Germanicus, the Roman linear border fortification of the German provinces. The Saalburg, located just off the main road roughly halfway between Bad Homburg and Wehrheim is the most completely reconstructed Roman fort in Germany. Since 2005, as part of the Upper German limes, it forms part of a UNESCO World Heritage site.
In Roman times, the Saalburg fort kept watch over a section of the Limes in the Taunus hills. From the beginning of the 2nd century AD for approximately the next 150 years, the Limes marked the frontier between Rome’s Empire and the Germanic tribal territories. The fort’s garrison was made up of 600 soldiers – both infantry and cavalry. A bath house and guest house were located just outside the main gate. A village housing craftsmen, traders and tavern keepers adjoined the fort. The Roman road to Nida (today Frankfurt-Heddernheim) was lined with graves and small shrines. As many as 2000 people may once have lived in the fort and the village.
The buildings fell into disrepair after increasing Germanic attacks, campaigns in the East of the Empire and internal political problems forced Rome to abandon the Limes. Today, the remains of the 550 kilometre long frontier complex from the Rhine to the Danube comprise the largest ancient monument in Europe. After initial archaeological investigation in the mid-19th century, thanks to an initiative led by Kaiser Wilhelm II, the fort was rebuilt between 1897 and 1907 to serve as open-air museum and research institute.
The visitor who makes the rounds of the fort and its grounds gains a lively and vivid picture of the Roman way of life. Within the fortifications, which include defensive walls, rampart walk and four gateways, many original buildings have been reconstructed in stone and timber. The horreum (granary) is now an exhibition room. The praetorium (commander's quarters) houses the Museum Administration Unit as well as the Saalburg Research Institute. The centrally located principia (headquarters building) impresses the visitor with its monumental assembly hall and colonnaded courtyard, around which museum rooms are grouped. In Roman times, these were orderly rooms, offices and armouries. The fabrica is modelled on the workshop buildings in Roman military camps. It is used for exhibits, special events and museum education. The common soldiers lived in the nearby centuriae (barrack blocks).
Archaeological finds, reconstructions, displays and models reveal the lives of the soldiers and the residents of the village outside the gates of the fort. Especially eye-catching are the reconstructed contubernium (barracks room), home to a squad of eight soldiers who lived in close quarters, and the richly decorated triclinium (officer’s dining room).
The aedes (regimental shrine) is particularly impressive: it was once the spiritual and religious centre of the fort. In the re-built ovens along the rampart walk, fresh Roman bread is still baked several times a year.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.