Iona Abbey is one of the oldest and most important religious centres in Western Europe. The abbey was a focal point for the spread of Christianity throughout Scotland and marks the foundation of a monastic community by St. Columba, when Iona was part of the Kingdom of Dál Riata.
In 563, Columba came to Iona from Ireland with twelve companions, and founded a monastery. It developed as an influential centre for the spread of Christianity among the Picts and Scots. The Book of Kells, a famous illuminated manuscript, is believed to have been produced by the monks of Iona in the years leading up to 800. In 806, Vikings massacred 68 monks in Martyrs' Bay, and Columba's monks returned to Ireland, and a monastery at Kells. Other monks from Iona fled to the Continent, and established monasteries in Belgium, France, and Switzerland. In 825, St Blathmac and those monks who had returned with him to Iona, were martyred by a Viking raid, and the Abbey was burned. However, it was probably not deserted. Its continued importance is shown by the death there in 980 of Amlaíb Cuarán, a retired King of Dublin.
Iona had been seized by the King of Norway, who held it for fifty years before Somerled recaptured it, and invited renewed Irish involvement in 1164: this led to the construction of the central part of the Cathedral. Ranald, Somerled's son, in 1203 invited the Benedictine order to establish a new Monastery, and an Augustinian Nunnery, on the Columban Monastery's foundations. Building work began on the new Abbey church, on the site of Columba's original church. The following year, in 1204, the site was raided by a force led by two Irish bishops. This was a response by Ireland's Columban clergy to the loss of its connections and influence at this significant site founded by St Columba.
The Iona Nunnery, a foundation of the Augustinian Order (one of only two in Scotland), was established south of the Abbey buildings. Graves of some of the early nuns remain, including that of a remarkable Prioress, Anna Maclean, who died in 1543. Clearly visible under her outer robe is the rochet, a pleated surplice denoting the Augustinian Order. The Nunnery buildings were rebuilt in the fifteenth century and fell into disrepair after the Reformation.
The Abbey church was substantially expanded in the fifteenth century, but following the Scottish Reformation, Iona along with numerous other abbeys throughout the British Isles were dismantled, and abandoned, their monks and Libraries dispersed.
In 1899 the Duke of Argyll transferred ownership of the ruined remains of the Abbey and Nunnery sites to the Iona Cathedral Trust, which undertook extensive restoration of the Abbey church. In 1938, the inspiration of Reverend George MacLeod led a group which rebuilt the abbey, and founded the Iona Community. The surrounding buildings were also re-constructed during the 20th century by the Iona Community. This ecumenical Christian community continues to use the site to this day.
Many early Scottish kings (said to be 48 in total), as well as kings from Ireland, Norway and France, are said to be buried in the Abbey graveyard. However, modern scholars are sceptical of such claims, which were likely mythic associated with increasing the prestige of Iona. Numerous leading Hebrideans, such as various Lords of the Isles and other prominent members of West Highland clans, were buried on Iona, including several early MacLeod chiefs.
Several high crosses are found on the Isle of Iona. St Martin's Cross (dated to the 8th century) still stands by the roadside. A replica of St John's Cross is found by the doorway of the Abbey. The restored original is located in the Infirmary Museum at the rear of the abbey.
The contemporary Jedburgh-based sculptor Christopher Hall worked for many years on carvings on the cloisters of the abbey, which represent birds, flora and fauna native to the island. He also was commissioned to carve John Smith's gravestone.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.