Pulli settlement is the oldest known human settlement in Estonia. According to radiocarbon dating, Pulli was settled around 11,000 years ago. A dog tooth found at the settlement is the first evidence for the existence of the domesticated dog in the territory of Estonia.
In all 1175 different items were excavated at the Pulli settlement, among them tools used by people of the Mesolithic period, most of them made of flint. Many items were arrowheads made of flint. A few items made of bone were found too, such as fishhooks and accessories made of animal claws.
The people who lived at Pulli probably moved there from the south after the ice had melted, moving along the Daugava river in Latvia, then along the Latvian-Estonian coast of the Baltic Sea, and finally to the mouth of the Pärnu river. In 9000 BC, the Pulli settlement was located exactly where the Pärnu river flows into the Baltic sea, but today it is about 14-16 kilometers upstream from the sea.
Through almost the entire Stone Age, the Estonian area is clearly discernible as an original technocomplex, in which quartz dominates as the material for small tools produced by a splitting technique. The only exception is the Pulli site with its extensive use of imported flint.
The Pulli settlement was discovered in 1967 during excavation of sand from the right bank of the River Pärnu. Archaeological excavations were carried out in 1968-73 and 1975-76 by the Estonian archaeologist L. Jaanits.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.