The Collegiate Church of St. Bartholomew was built in coal sandstone, starting in the late 11th century (the chancel) and lasting until the late 12th century (the massive westwork, with its twin towers which were reconstructed in 1876). It underwent, like most ancient religious buildings, modifications through the centuries. Nevertheless, the Meuse Romanesque—Ottonian architecture character of its architecture remained deeply rooted. The 18th century saw the addition of two more aisles, the opening of a neoclassical portal in the walls of the westwork, and the French Baroque redecoration of the interior. The interior of the western section has recently been restored back to the original style.
The church contains numerous works of art, among which may be mentioned The Glorification of the Holy Cross, a tableau of the local painter Bertholet Flemalle (1614-1675); The Crucifixion, from another local artist, Englebert Fisen (1655-1733); and a statue of St. Roch by Renier Panhay de Rendeux.
St. Bartholomew is the site of one of the most known examples of ecclesiastical Mosan art, a baptismal font attributed to the goldsmith Renier de Huy. It was commissioned at the beginning of the 12th century (1107-1108) by the Abbot Hellin for the Church of Notre-Dame-aux-Fonts, now destroyed, where local baptisms traditionally were administered.
The font was installed in St. Bartholomew Church in 1804, after having been spared from the occupying forces of the French Revolutionary Army.
This work heralds a resurgence of Greek influences on Western art. The brass tank, resting on ten (originally twelve) ox figures, presents five scenes: the Baptism of Jesus in the Jordan, the preaching of St. John the Baptist, the baptism of the catechumens, the baptism of the Centurion Cornelius, and the baptism of the philosopher Craton.References:
The original Cochem Castle, perched prominently on a hill above the Moselle River, served to collect tolls from passing ships. Modern research dates its origins to around 1100. Before its destruction by the French in 1689, the castle had a long and fascinating history. It changed hands numerous times and, like most castles, also changed its form over the centuries.
In 1151 King Konrad III ended a dispute over who should inherit Cochem Castle by laying siege to it and taking possession of it himself. That same year it became an official Imperial Castle (Reichsburg) subject to imperial authority. In 1282 it was Habsburg King Rudolf’s turn, when he conquered the Reichsburg Cochem and took it over. But just 12 years later, in 1294, the newest owner, King Adolf of Nassau pawned the castle, the town of Cochem and the surrounding region in order to finance his coronation. Adolf’s successor, Albrecht I, was unable to redeem the pledge and was forced to grant the castle to the archbishop in nearby Trier and the Electorate of Trier, which then administered the Reichsburg continuously, except for a brief interruption when Trier’s Archbishop Balduin of Luxembourg had to pawn the castle to a countess. But he got it back a year later.
The Electorate of Trier and its nobility became wealthy and powerful in large part due to the income from Cochem Castle and the rights to shipping tolls on the Moselle. Not until 1419 did the castle and its tolls come under the administration of civil bailiffs (Amtsmänner). While under the control of the bishops and electors in Trier from the 14th to the 16th century, the castle was expanded several times.
In 1688 the French invaded the Rhine and Moselle regions of the Palatinate, which included Cochem and its castle. French troops conquered the Reichsburg and then laid waste not only to the castle but also to Cochem and most of the other surrounding towns in a scorched-earth campaign. Between that time and the Congress of Vienna, the Palatinate and Cochem went back and forth between France and Prussia. In 1815 the western Palatinate and Cochem finally became part of Prussia once and for all.
Louis Jacques Ravené (1823-1879) did not live to see the completion of his renovated castle, but it was completed by his son Louis Auguste Ravené (1866-1944). Louis Auguste was only two years old when construction work at the old ruins above Cochem began in 1868, but most of the new castle took shape from 1874 to 1877, based on designs by Berlin architects. After the death of his father in 1879, Louis Auguste supervised the final stages of construction, mostly involving work on the castle’s interior. The castle was finally completed in 1890. Louis Auguste, like his father, a lover of art, filled the castle with an extensive art collection, most of which was lost during the Second World War.
In 1942, during the Nazi years, Ravené was forced to sell the family castle to the Prussian Ministry of Justice, which turned it into a law school run by the Nazi government. Following the end of the war, the castle became the property of the new state of Rheinland-Pfalz (Rhineland-Palatinate). In 1978 the city of Cochem bought the castle for 664,000 marks.