St. Servatius Bridge (Sint Servaasbrug) connects pedestrian traffic from the Binnenstad district of Maastricht on the west bank of the Meuse to the Wyck district on the east bank. It is named after Saint Servatius, the first bishop of Maastricht, and (despite being largely rebuilt after World War II) it has been called the oldest bridge in the Netherlands. The bridge is made of limestone, and in its current configuration it is 160 metres long and 9 metres wide.
The Romans built a wooden bridge across the Meuse in what is now Maastricht, in approximately AD 50, and the Latin phrase for 'crossing of the Meuse', 'mosae trajectum', became the name of the city. For many years this remained the only crossing of the lower Meuse. However, the Roman bridge collapsed in the year 1275 from the weight of a large procession, killing 400 people. Its replacement, the present bridge, was built somewhat to the north of the older crossing between 1280 and 1298; the Catholic church encouraged its construction by providing indulgences to people who helped build it.
The bridge was renovated in 1680, and in 1825 a wooden strutwork section on the east side of the bridge was replaced by a stone arch. In 1850, as part of the construction of the Maastricht-Liège Canal, a channel was cut on the west side of the bridge.
When in the early 1930s the bridge had been relieved of its function as the city's only river crossing by the construction of the Wilhelmina bridge, 300 metres downstream, a major renovation was performed. The arches were reconstructed in concrete, covered with the original stones. Underwater, counter-arches were constructed to prevent erosion of the river bed on which the bridge was built. Two arches on the eastern end of the bridge were removed and replaced by a vertical-lift bridge.
During World War II the bridge was severely damaged by the German army as they retreated from the Netherlands in 1944, but it was rebuilt in 1948. In 1962, the shipping channel to the east of the bridge was spanned by a steel drawbridge attached to the main bridge.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.