Auxerre Cathedral is known for its expansive stained glass windows. Most of the Burgundian Gothic cathedral was built between 1215 and 1233 above an 11th-century crypt. Construction continued until the 1540s when the cupola, in Renaissance style that takes the place of one pinnacle on the completed tower, was completed. The first building campaign erected the chevet at the liturgical east end, followed later in the century by a new façade and the bases of new towers at the west end (still linked to the apse end by the nave of the old cathedral). Construction on the nave and transepts proceeded slowly throughout the 14th and 15th centuries.
The narrative sculptural program of the portals on the west end are noted for their extent and variety. Guillaume de Seignelay, bishop of Auxerre decided to undertake the reconstruction of the older edifice about 1215, to which he set an example by contributing heavily and consistently from his own resources, and even bequeathed funds after his transfer to the see of Paris in 1220. The chevet was completed by his successor, Henri de Villeneuve (1220–34).
Stimulus was provided about 1270 by Jean de Châlons-Rochefort, who had recently become Count of Auxerre, having supported the Duke of Burgundy against his own brother, by marrying Alix, the heiress of Auxerre. He was the largest fief-holder in the Duchy and commemorated the new status of his fief of Auxerre by enriching the front of its chief ornament, the cathedral, whose Carolingian nave had been erected by his ancestor Hugh de Châlons, 10th-century bishop of Auxerre. Its program of sculpture was carried through long after his death and completed in the early 15th century.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.