Bouzov Castle was established at the turn of the 14th century with the purpose to watch over the trade route from Olomouc to Loštice. The minor aristocratic Buz of Bludovec family were its first recorded owners from 1317-1339. The castle also takes its name from the family. Ownership of the castles was then changed, and the Lords of Kunštát were among the most important medieval owners. According to tradition, the Bouzov castle is often connected with name of the most famous member of this noble dynasty, Jiří z Poděbrady was born in Bouzov in 1420 and was crowned Czech King in 1458. His original title was Jiří of Kunštát and Bouzov. In 1558 the castle burned down, and lost much of its majestic quality. In the course of centuries there were several changes of proprietors; the castle was owned by the lords of Vildenberk, margrave Jošt, the Haugvic and the Pod Štatský families, and in 1696 the barony was bought by the grand master of the Teutonic Order, the Rhenish palsgrave Fanciscus Ludovicus.
As various noble families changed possession of Bouzov, in a similar way also its appearance was changed from an early gothic castle to a Renaissance style. In the time of the lords of Bouzov, the castle played mostly a defensive and guarding role. It probably consisted of a tower and rampart and wooden dwelling houses. The Vildenberks built a stony manor on the western side which was taller than the rampart. Already in the 14th century the castle was significantly widened - a settlement with outhouses was constructed with a ditch and circumvallation, rampart with a 61 m tall watchtower and a moat wall built around the castle. During the rule of the Kunštát family, the manor was fortified with a new connected rampart with two bastions, and the moat wall was rebuilt with five round bastions. Later a round gun-bastion was erected and the tallest watchtower was repaired.
In 1408 the castle passed into the hands of Viktorin of Bouzov. In 1499 the Haugvics started the construction of a palace on the eastern side and connected the northern and southern dwelling building. In the first half of the 15th century it was converted into a Hussite stronghold, serving as a prison for captured Swedes during the Thirty Years war. In the second half of the 16th century the castle burned out and remained uninhabited.
About a hundred years later, the reconstruction of the castle began again with the remodeling of the southern wing. At that time the castle had already lost its defensive function and became an utterly dwelling object. With the arrival of the Teutonic Order, during the 18th century the castle also lost this function. Only the building in the outer settlement remained inhabited, and by the end of the 19th century the ruin of the castle became a tourist goal.
The castle gained today's appearance after massive Neo-gothic reconstruction between 1895 and 1910. The Grand Master of the Order of the Teutonic Knights from 1799 to 1939, archduke Eugen Habsburg, decided to rebuilt it in the Romantic, predoninantly Neo-Gothic style, according to the plans of the prominent architects of its time Georg von Hauberisser (1841–1922) of the Munich Polytechnic University; he was the author of Munich and Saarbrücken's town-halls, and also very influential as builder of churches like the St. Paul's church in Munich. The alterations were carried out with the intention of making part of the castle open to the public. Bouzov was fitted with modern furnishings and equipment, including running water and central heating. The order was abolished in 1939 and the castle was confiscated by the fascists, occupied and looted by the Nazis during the WW II. The castle was acquired by the Chief of the Gestapo R. Himmler, who forced the Strahov Monastery to sell it to him for one million crowns, as a present to A. Hitler. After 1989 the Order of Teutonic Knights expressed an interest in the castle, but their request to have it returned to them has so far been rejected.
An eight-storey watchtower, 58 meters high, dominates the complex. The buildings are grouped around it in the form of a horseshoe, and the castle is enhanced by a number of towers, and among other things, bastions, battlements, oriel windows and loopholes. The two long bridges, ending with a short drawbridge, span the deep dry moat around the castle. The knights' hall, armoury, which is in one of the few original rooms with preserved Gothic vaulting, bedrooms of the knights and a neo-gothic chapel with its Gothic altar and tombs occupy the central part of the castle. The valuable furniture comes from the private collection of Eugen von Habsburg and the collection of the Order of the Teutonic Knights. Since 1999 the castle has been a national monument.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.