St. Maurice Church is one the most precious buildings of the late Gothic style in Moravia. The three-naved structure has a cross vaulting dating from the middle of the 14th century. A more advanced net vault may be seen in the presbytery.
Two asymmetric prismatic towers were built on the western facade. In the western part of the church there is a unique double spiral staircase.
The real gem is the late Gothic sculpture of the 15th century, Christ on the Mount of Olives, located in the interior.
On the northern wall of the church, there is the Renaissance burial chapel of the Edelmann family. After a fire in 1709, the interior was redecorated in the Baroque style; Loretta Chapel and All Souls Chapel were added. Painters Jan Kryštof Handke, Karel Josef Haringer and Karel Moravec and sculptors Filip Sattler, Jan Sturmer and Jiří Antonín Heinz took part in the Baroque adaptations of the interior.
Maurice‘s organ, the largest organ in Central Europe and the eighth largest in Europe, were made by Master Michael Engler in 1745. It was decorated by the sculptor Philip Sattler and the wood-carver Jan Jiří Huckh. The original Baroque instrument with three keyboards underwent a renovation in the sixties of the 20th century.At that time a modern instrument was added, with 5 keyboards. Now the organ has 135 registers and 10,400 pipes.
In the mid 19th century, the church was equipped with new historicist furniture and underwent re-gothization in the years 1869-1908. The main altar is decorated with a Neo-Gothic retable from the mid 19th century.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.