The Rajhenburg Castle dates back in the 9th century but the current construction derives from the 16th century. The original structure was demolished at the beginning of the 10th century, but Bishop Konrad of Salzburg had it renovated between 1131 and 1147. The most prominent owners of the castle were the Rajhenburgs, the noble Moscons, the Knights Gradeneck, the Barons Gall Galenstein and the Counts Attems.
Around 1600 the castle was transformed into a Renaissance residence. Among the recent discoveries, the frescoes from the twenties of the 16th century are worthy of special attention, as they are undoubtedly the oldest surviving castle paintings in Slovenia, with allegorical depictions of Christian virtues. On the first floor is an almost hidden secular Renaissance fresco by the Master from Marija Gradec (1530).
After 1884 Trappist monks moved into the castle, where they produced chocolate and liqueur. Then in April 1941 the Germans transformed the castle into the central camp for deporting Slovenes; during the course of World War II around 45,000 Slovenes were sent into exile from here. After World War II the castle continued to function as a women's prison.
In 1968 Rajhenburg Castle became the home of the Museum of Political Prisoners, Internees and Deportees, a branch of the National Museum of Contemporary History. This permanent exhibition closed down in 2011 and a new exhibition on the Trappist order opened in a completely renovated castle in 2013.
The Romanesque perimeter, built in the 12th century, is noteworthy for the structure and construction of the walls. The castle chapel retains its original Romanesque portal, although the two-storey building itself was sturdily reconstructed in the 16th century.
Within the castle are several profiled timber work ceilings and terraced walls. A unique feature is the architectural decoration of the inner façades.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.