Nanstein Castle was built around the year 1162 after Holy Roman Emperor Frederick I demanded its construction as additional defense for the Palatinate.

In 1504, German knight Franz von Sickingen, inherited part of the castle after his father's death in the War of the Bavarian Succession, finally acquiring the entire castle in 1518. He immediately began extensive refortification to make the castle suitable for firearms.

Nanstein is well known for an elaborate siege during the Knights' Revolt in 1523 which claimed the life of von Sickingen. The fall of Nanstein was a symbol for the decline of castles in the Palatinate.

In 1542, von Sickingen's sons recovered Nanstein as a fief and started reconstruction of the castle. Reinhard von Sickingen completed the reconstruction in 1595. In 1668, Elector Charles I Louis forced Lotharingian troops from the castle and razed the fortifications.

In the 19th century the first conservation work was done on Nanstein, and this has continued to the present day.

References:

Comments

Your name



Details

Founded: 1162
Category: Castles and fortifications in Germany
Historical period: Hohenstaufen Dynasty (Germany)

Rating

4.4/5 (based on Google user reviews)

User Reviews

Paul Kom (4 months ago)
Nice castle tucked away in the hills. The small bar had really cool staff. Will definitely go back for a beer.
lukespack (5 months ago)
I and a buddy visited here in 1955. There were two young women with us. It was totally free at that time with few people visiting. We had a nice time. It sounds so different now. We were stationed at Landstuhl Medical Center. This was the begging of so many trips all over Germany and Western Europe. I was 18 at that time. Within 12 months we were able to visit Berlin when there was no wall. I was so lucky to be there when Americans were free from war. The medical center was built in 1953 when America feared war with the USSR. In 1958 our medical unit was sent to Lebanon but I was all ready back home by then.
Dorothy Walker (5 months ago)
Eh, it's a castle with some decent views. Nothing super interesting or fantastic even for a history buff like myself. It gives a JUST a smidge of background. It's something to do if you're REALLY bored though...
Roger Wareham (5 months ago)
Amazing place to see. The restaurant had great service with good food.
Bryan Thomas Hinkle (6 months ago)
Make sure you have Euro. They did not accept cards. Castle is interesting. Recommend the audio tour. Watch your head through the lower portions due to low ceilings. medieval actors with owls and birds are very nice guys with tons of info. Restaurant is delicious (Only takes Euro)
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Quimper Cathedral

From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.

The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.

At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.

The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.

The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.

Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).

The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.

At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».

The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.