Sankt Pölten Cathedral

Sankt Pölten, Austria

Sankt Pölten Cathedral has been the episcopal seat of the Diocese of Sankt Pölten since 1785, having previously been the church of the Augustinian Abbey of St. Pölten, dissolved in 1784. The building, despite being a well-preserved late Romanesque structure, is Baroque in appearance.

The use of the site for religious buildings is believed to date from around 790, when a Benedictine monastery was established here, to which were brought the relics of Saint Hippolytus, after whom the present city is named. In 828, the monastery became a possession of the Diocese of Passau, and a centre of missionary activity, predominantly in Great Moravia. After the invasion of the Magyars in around 907, the monastery was almost entirely destroyed, and was not rebuilt until after the Battle of Lechfeld in 955. The first documentary reference is in a charter of 976 from Emperor Otto II to Bishop Pilgrim of Passau.

Under Bishop Altmann of Passau the abbey became an Augustinian canonry, which was dissolved in 1784 as part of the Josephine Reforms.

In around 1150, the abbey church was rebuilt with three naves but no transept, with a westwork including two towers. In 1228 Bishop Gebhard changed the dedication, formerly to Saints Peter, Stephen and Hippolytus, to the Assumption of Mary. After a fire it was rebuilt again between 1267 and 1280. After another fire in 1621 the entire building was remodelled in the present Baroque style.

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Details

Founded: 1621
Category: Religious sites in Austria

More Information

en.wikipedia.org
www.afar.com

Rating

4.6/5 (based on Google user reviews)

User Reviews

Rosa Witasek (4 months ago)
Hab mich sehr wohl gefühlt hlt
Maria Mag. Zeller-Dollfuss (5 months ago)
Zur Ruhe kommen kann man hier im Advent bei den frühen Roratemessen um 6h!
Karl Kruse (12 months ago)
Sehr schöne Kirche
Flávio Ferro (13 months ago)
A catedral de Sankt Pölten "Dompfarre" no centro da cidade e próximo a estação central de trem (Hbf), é um templo de estilo românico/ barroco que data desde o século I e tem uma torre que pode ser de toda a cidade. O templo é dedicado a Assunção de Maria e está aberta durante o dia inteiro.
Imre Lakat (3 years ago)
Nyáron voltunk a városban . Igen szép , és kedvező benyomást váltott ki belőlünk . A Domplatz előtti tér feltárás alatt , de tanulságos , hogy a múlt emlékei napvilágra kerültek . Mindez a Dóm közvetlen szomszédságában látható . Most kettő képet tettem fel a feltárástól , ha később újra betemetik a feltárást , akkor is maradjon meg örökös emléknek , tanulságos látnivalónak Imre Lakat photographer
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The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.