Reichersberg Abbey was founded in the 11th century, when nobleman Wernher von Reichersberg converted his possessions into a monastery. It has been owned by Augustinian Canons since then. The monastery flourished under the guidance of Gerhoh, the third Provost and an eminent theologian. While there, Gerhoh composed his commentary on the Psalms between 1144 and 1148, making much use of the earlier work of Gilbert of Poitiers.
The archbishop of Salzburg gave the abbey a pastoral area on what was then the Hungarian border, where the canons are active to this day. In the mid 16th century master Ulrich Lufftenecker became a teacher at the monastery, and taught students choral singing. Four printed choir books have survived from the second half of the 16th century.
The original monastery was relatively small, built in Romanesque-Gothic style. In 1624 it was destroyed by a fire. During the next years the current large Baroque replacement was erected. The outer courtyard of the monastery has a marble fountain crowned with a figure of St. Michael, the patron of the monastery, made by Thomas Schwanthaler. The Munich court painter Christian Wink completed the frescoes of the church in 1778-79.
In 1779 the monastery was assigned to Austria and thus escaped the secularization of Bavarian monasteries. During the Napoleonic Wars it had to struggle for its existence, but normal monastic activities resumed in 1817. During World War II the monastery was forced to provide a home for a flying school, but avoided being closed down.
Today Reichersberg Abbey has been renovated and is now a cultural center of the Innviertels. The monastery has an extensive library, holding 55,000 volumes. It holds a large collection of religious art, which can be viewed during guided tours. The monastery holds exhibitions, seminars and garden days. It has a shop, a wine shop and restaurant.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.