Reichersberg Abbey was founded in the 11th century, when nobleman Wernher von Reichersberg converted his possessions into a monastery. It has been owned by Augustinian Canons since then. The monastery flourished under the guidance of Gerhoh, the third Provost and an eminent theologian. While there, Gerhoh composed his commentary on the Psalms between 1144 and 1148, making much use of the earlier work of Gilbert of Poitiers.
The archbishop of Salzburg gave the abbey a pastoral area on what was then the Hungarian border, where the canons are active to this day. In the mid 16th century master Ulrich Lufftenecker became a teacher at the monastery, and taught students choral singing. Four printed choir books have survived from the second half of the 16th century.
The original monastery was relatively small, built in Romanesque-Gothic style. In 1624 it was destroyed by a fire. During the next years the current large Baroque replacement was erected. The outer courtyard of the monastery has a marble fountain crowned with a figure of St. Michael, the patron of the monastery, made by Thomas Schwanthaler. The Munich court painter Christian Wink completed the frescoes of the church in 1778-79.
In 1779 the monastery was assigned to Austria and thus escaped the secularization of Bavarian monasteries. During the Napoleonic Wars it had to struggle for its existence, but normal monastic activities resumed in 1817. During World War II the monastery was forced to provide a home for a flying school, but avoided being closed down.
Today Reichersberg Abbey has been renovated and is now a cultural center of the Innviertels. The monastery has an extensive library, holding 55,000 volumes. It holds a large collection of religious art, which can be viewed during guided tours. The monastery holds exhibitions, seminars and garden days. It has a shop, a wine shop and restaurant.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.