The Abbey of Innichen was founded in the 8th century and rebuilt in the 12th–13th centuries. Its collegiate church is considered the most important Romanesque building in Tyrol and the Eastern Alps and, it is home to a 13th-century sculpture and a fresco cycle from the same age in the dome.
The original abbey was founded in 769, when Tassilo III, duke of Bavaria gave to abbot Atto von Scharnitz some lands going from the current Monguelf to Abfaltersbach, provided that a Benedictine convent would be founded here, to convert the Pagan Slavs who had settled in the area. Of this original construction, however, no certain traces have been found.
The church was entirely rebuilt from 1140: of this edifice today the external walls, the piers, the apses and the crypt remain. A second reconstruction was carried out from around 1240, when the vaults of the crypt and the nave, the transept and the dome at the crossing were added, including the frescoes with the History of Creation. The large bell tower was built later, from 1323 to 1326.
The church has a simple façade, in crude stone blocks. Over the central portal are two small mullioned windows, surmounted by a small frame dividing the façade in two and a rose window. On the left is the massive bell tower, also in stone, with a square plane: each of the sides has a row of thin mullioned windows, except for the top floors, which have a larger single- and double- mullioned windows. The top is pyramidal in shape.
The rear area is more complex. The crossing is the background of a descending sequence of blocks, started by the presbytery, and followed by the nave's apse, the roofs of the aisles' apses and finally the apses themselves. Another block on the left is the sacristy. The apses' exterior is decorated by Lombard bands.
On the right side are a pilaster-shaped tabernacle, frescoed in the 15th century, and the Museum of the Collegiate.
The interior has a nave and two aisles, the latter smaller in height, with a transept, a presbytery and three aisles. At the crossing is a crypt. This houses a 13th-century wooden sculpture portraying on the two patron saints of the church.
The dome is frescoed with the Stories of Creation, painted in the 13th century.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.