anta Sofia in Padua is the oldest church structure in the city. It was built in the 10th century on the site of a presumed Roman Mithraeum. The first document dates from 1123.
The apse was the first phase of the construction, sometime in the ninth century. Primary construction was between 1070 and 1080. This phase ended in 1106. The second phase opened in 1117 and ended in about 1170. The structure underwent embellishment near the end of the fourteenth century to meet the liturgical reforms approved by the Council of Trent. The seventeen-year-old Andrea Mantegna performs his first independent work, an altarpiece depicting the Madonna with Child in conversation with saints.
Initially operated by Augustinians monks, Benedictine nuns replace them by 1517. In the sixteenth century Santa Sofia was a parish church. It became a provostry, which depended the church of San Gaetano, the church of Paolotti, Matthias Church and the church of San Biagio. As a result of the Napoleonic laws the nuns were removed (1806-1810), the convent became state ownership.
Between 1951 and 1958, the structure has undergone major restoration work with intent to restore primitive appearance of the church. With these works is lost most of the heritage Mannerist and Baroque kept in the factory.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.