The Patriarchal Cathedral Basilica of Saint Mark (Basilica di San Marco is the most famous of the Venice's churches and one of the best known examples of Italo-Byzantine architecture. It lies at the eastern end of the Piazza San Marco, adjacent and connected to the Doge's Palace. Originally it was the chapel of the Doge, and has only been the city's cathedral since 1807, when it became the seat of the Patriarch of Venice, archbishop of the Roman Catholic Archdiocese of Venice, formerly at San Pietro di Castello.
For its opulent design, gold ground mosaics, and its status as a symbol of Venetian wealth and power, from the 11th century on the building has been known by the nickname Chiesa d'Oro (Church of gold).
The first church was a building next to the Doge's Palace in 828-832, when Venetian merchants stole the supposed relics of Mark the Evangelist from Alexandria. The church was burned in a rebellion in 976, when the populace locked Pietro IV Candiano inside to kill him, and restored or rebuilt in 978. Nothing certain is known of the form of these early churches. The present basilica was constructed probably between 1063-1093. In 1106 the church, and especially its mosaics, were damaged by a serious fire in that part of the city.
The basic structure of the building has not been much altered. Its decoration has changed greatly over time, though the overall impression of the interior with a dazzling display of gold ground mosaics on all ceilings and upper walls remains the same. The succeeding centuries, especially the period after the Venetian-led conquest of Constantinople in the Fourth Crusade of 1204 and the 14th century, all contributed to its adornment, with many elements being spolia brought in from ancient or Byzantine buildings, such as mosaics, columns, capitals, or friezes. Gradually, the exterior brickwork became covered with marble cladding and carvings, some much older than the building itself, such as the statue of the Four Tetrarchs. The latest structural additions include the closing-off of the Baptistery and St Isidor's Chapel (1300s), the carvings on the upper facade and the Sacristy (1400s), and the closing-off of the Zen Chapel (1500s).
The facade features five portals decorated in splendid marbles and mosaics, and with a terrace dividing it into two halves. On the terrace stand Four Horses of gilded copper (copies - the originals are now preserved inside) that were sent from Constantinople to Doge Enrico Dandolo in 1204.
Splendid mosaics in the atrium relate the stories of the Bible. The imposing interior in the form of a Greek cross contains a wealth of paintings and sculptures. Of particular interest are mosaics of Veneto-Byzantine origin, some of them reconstructed from drawings by Titian, Tintoretto and Veronese.
The treasury contains a unique collection of Byzantine portable objects in metalwork, enamel and hardstone carving. Most of them were looted from Constantinople after the Fourth Crusade (although there was a serious fire in the treasury in 1231), with probably a new influx after the 'Franks' were expelled in 1261. Thereafter most objects were made locally, though there are also important Islamic works, especially in rock crystal, and some from Northern Europe. Selections have toured internationally.References:
Czocha Castle is located on the Lake Leśnia, what is now the Polish part of Upper Lusatia. Czocha castle was built on gneiss rock, and its oldest part is the keep, to which housing structures were later added.
Czocha Castle began as a stronghold, on the Czech-Lusatian border. Its construction was ordered by Wenceslaus I of Bohemia, in the middle of the 13th century (1241–1247). In 1253 castle was handed over to Konrad von Wallhausen, Bishop of Meissen. In 1319 the complex became part of the dukedom of Henry I of Jawor, and after his death, it was taken over by another Silesian prince, Bolko II the Small, and his wife Agnieszka. Origin of the stone castle dates back to 1329.
In the mid-14th century, Czocha Castle was annexed by Charles IV, Holy Roman Emperor and King of Bohemia. Then, between 1389 and 1453, it belonged to the noble families of von Dohn and von Kluks. Reinforced, the complex was besieged by the Hussites in the early 15th century, who captured it in 1427, and remained in the castle for unknown time (see Hussite Wars). In 1453, the castle was purchased by the family of von Nostitz, who owned it for 250 years, making several changes through remodelling projects in 1525 and 1611. Czocha's walls were strengthened and reinforced, which thwarted a Swedish siege of the complex during the Thirty Years War. In 1703, the castle was purchased by Jan Hartwig von Uechtritz, influential courtier of Augustus II the Strong. On August 17, 1793, the whole complex burned in a fire.
In 1909, Czocha was bought by a cigar manufacturer from Dresden, Ernst Gutschow, who ordered major remodelling, carried out by Berlin architect Bodo Ebhardt, based on a 1703 painting of the castle. Gutschow, who was close to the Russian Imperial Court and hosted several White emigres in Czocha, lived in the castle until March 1945. Upon leaving, he packed up the most valuable possessions and moved them out.
After World War II, the castle was ransacked several times, both by soldiers of the Red Army, and Polish thieves, who came to the so-called Recovered Territories from central and eastern part of the country. Pieces of furniture and other goods were stolen, and in the late 1940s and early 1950s, the castle was home to refugees from Greece. In 1952, Czocha was taken over by the Polish Army. Used as a military vacation resort, it was erased from official maps. The castle has been open to the public since September 1996 as a hotel and conference centre. The complex was featured in several movies and television series. Recently, the castle has been used as the setting of the College of Wizardry, a live action role-playing game (LARP) that takes place in their own universe and can be compared to Harry Potter.