The Museo Correr has rich and varied collections of art and history of Venice. The Museo Correr originated with the collection bequeathed to the city of Venice in 1830 by Teodoro Correr. A member of a traditional Venetian family, Correr was a meticulous and passionate collector, dedicating most of his life to the collection of both works of art and documents or individual objects that reflected the history of Venice. Upon his death, all this material was donated to the city, together with the family's Grand Canal palace which then housed it. The nobleman also left the city funds to be used in conserving and extending the collections and in making them available to the public.
The first floor of the Museo Correr illustrates the life and culture of the Venetian Republic over the centuries of its political grandeur and independence. Beginning in Room 19, the art collection is divided into two parts. On the first floor, four rooms house the collection of small bronzes, including pieces by Veneto region sculptors from the late 15th to the first decades of the 17th century. On the second floor, 19 rooms display the Picture Gallery, which focuses primarily on Venetian painting up to the 16th century. There are also rooms dedicated to maiolica-work and to carved ivories.
The Picture Gallery starts at the end of Room 14 and comprises examples of Venetian paintings from the very earliest days right up to the beginning of the 16th century.References:
The Château d'Olhain is probably the most famous castle of the Artois region. It is located in the middle of a lake which reflects its picturesque towers and curtain walls. It was also a major stronghold for the Artois in medieval times and testimony to the power of the Olhain family, first mentioned from the 12th century.
The existence of the castle was known early in the 13th century, but the present construction is largely the work of Jean de Nielles, who married Marie d’Olhain at the end of the 15th century.
The marriage of Alix Nielles to Jean de Berghes, Grand Veneur de France (master of hounds) to the King, meant the castle passed to this family, who kept it for more than 450 years. Once confiscated by Charles Quint, it suffered during the wars that ravaged the Artois. Besieged in 1641 by the French, it was partly demolished by the Spaniards in 1654, and finally blown-up and taken by the Dutch in 1710. Restored in 1830, it was abandoned after 1870, and sold by the last Prince of Berghes in 1900. There is also evidence that one of the castles occupants was related to Charles de Batz-Castelmore d'Artagnan, the person Alexandre Dumas based his Three Musketeers charictor d'Artagnan on.
During the World War I and World War II, the castle was requisitioned first by French troops, then Canadian and British soldiers. The current owner has restored the castle to its former glory.