Belluno Cathedral (Duomo di Belluno) stands on the site of a palaeo-Christian church. A subsequent church dedicated to Saint Martin and built in around in 850 is documented. The present building was built between 1517 and 1624, to plans by the architect Tullio Lombardo, in the style of the Renaissance. The cupola was completed only in 1756. The campanile dates from the 18th century and is by Filippo Juvarra.
The unfinished west front is of stone, divided vertically into three, between two lower wings. The lower part contains a rich Baroque portal and two Gothic windows, while the upper part, terminating in a tympanum which rests on an entablature delineated by lesene, contains a central rose window, the glass of which depicts figures of Saint Gioatà, Saint Lucanus and Saint Martin.
The interior of the cathedral, majestic in appearance, has Renaissance lines even if the height of the pilasters tends more to the Gothic. There are three naves of six spans. The presbytery has triple rows of stalls. The cupola is airy and light. The semi-circular apse contains a fresco by Antonio Ermolao Paoletti of a triumphal Assumption. Among the works by distinguished artists kept in the cathedral, two paintings by Gaspare Diziani stand out for their the complexity of their composition: Saints Charles Borromeo, Francis de Sales, Cajetan and Andrew Avellino and the Conversion of St Paul. An altar in the northern nave is decorated by a painting by Egidio Dall'Oglio depicting the Holy Family.
The Baroque campanile, built between 1732 and 1743, stands at the exit from the sacristy. It was designed by the Messinese architect Filippo Juvarra. Including the angel on the top it is 67.35 metres high. The angel, of wood covered in copper, by Andrea Brustolon, is 4.63 metres high.References:
Trullhalsar is a very well-preserved and restored burial field dating back to the Roman Iron Ages (0-400 AD) and Vendel period (550-800 AD). There are over 340 different kind of graves like round stones (called judgement rings), ship settings, tumuli and a viking-age picture stone (700 AD).
There are 291 graves of this type within the Trullhalsar burial ground, which occurs there in different sizes from two to eight metres in diameter and heights between 20 and 40 centimetres. Some of them still have a rounded stone in the centre as a so-called grave ball, a special feature of Scandinavian graves from the late Iron and Viking Age.
In addition, there is a ship setting, 26 stone circles and 31 menhirs within the burial ground, which measures about 200 x 150 metres. The stone circles, also called judge's rings, have diameters between four and 15 metres. They consist partly of lying boulders and partly of vertically placed stones. About half of them have a central stone in the centre of the circle.
From 1915 to 1916, many of the graves were archaeologically examined and both graves of men and women were found. The women's graves in particular suggest that the deceased were very wealthy during their lifetime. Jewellery and weapons or food were found, and in some graves even bones of lynxes and bears. Since these animals have never been found in the wild on Gotland, it is assumed that the deceased were given the skins of these animals in their graves.