The early Renaissance Hartenfels castle dominates the town of Torgau. It is the residence of the Saxon electors and the political and administrative centre. The castle chapel was designed especially for Protestant worship services and was consecrated by Martin Luther himself.
The fortification already stood on the banks of the Elbe during the Slavic period. It was developed into a castle in the mid-10th century. In the late 15th century Hartenfels evolved, step by step, into an early modern castle.
In 1485, Torgau fell to the Ernestine Electorate of Saxony, the focus of whose reign increasingly shifted to Torgau. From 1525, a time in which the Reformation began to prevail, Torgau became the most important residence, and hence the political centre, of the land that devoted itself most vehemently to the doctrine of Martin Luther, establishing its state and manorial self-conception on this basis. The reformers and scholars of the University of Wittenberg often spent time here, assisting the elector and his counsellors in matters of theology and religious policy, but also in practical issues of church organisation. Luther alone is documented to have stayed in Torgau on roughly 60 occasions.
The castle was damaged on several occasions, particularly in the Thirty Years War, and has been restored several times since the 1990s. Most recently, in 2014, the large stone spiral staircase, the ‘Wendelstein’ was returned to its original colour scheme, and the magnificent gallery of coats of arms was restored. The former electoral chambers with a direct spatial and historical relationship to the castle chapel, are currently undergoing restoration. In early 2017, these rooms will be made accessible to the public as part of a permanent exhibition.
Hartenfels Castle consists of five unequal wings, four of them enclosing the large courtyard in the form of an irregular rectangle. The fifth wing, an addition dating to the 18th century, traverses the moat and extends towards the city. The high, for the most part three-storey buildings, in combination with eight towers, numerous gables and bay windows, lend the structure contours that are lively and yet monumental. Architectural highlights of the complex consist of the magnificent stone spiral staircase, the Große Wendelstein in the main wing, the ‘Beautiful Bay Window’ in the electors’ former living quarters, the castle chapel and the tower known at the Hausmannsturm. A representative gate from the late Renaissance provides access to the castle from the city. This is flanked by a slender bell tower.
The new castle chapel, a hall surrounded by two-storey lofts and located beneath a ribbed vault with net and star figures, was built as the first extravagant hall was constructed as the first sacral building destined exclusively for Protestant worship services. With it, the Saxon Elector John Frederick professed his commitment to the teachings of Luther and underscored his leadership role in the Protestant alliance. Luther consecrated the chapel himself in 1544, in an act of state of great political significance that was precisely planned by the elector. In keeping with the central role of preaching in Protestant worship services, the pulpit moved to the centre of the space, here at the northern long side, clearly visible from all sides.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.