Knossos is the largest Bronze Age archaeological site on Crete island and has been called Europe's oldest city. The settlement was established well before 2000 BC and was destroyed, most likely by fire (though some claim a tsunami) around 1700 BC.
The Minoan palace is the main site of interest at Knossos, an important city in antiquity, which was inhabited continuously from the Neolithic period until the 5th century AD. The palace was built on the Kephala hill and had easy access to the sea and the Cretan interior. According to tradition, it was the seat of the wise king Minos. The Palace of Knossos is connected with thrilling legends, such as the myth of the Labyrinth, with the Minotaur, and the story of Daidalos and Ikaros.
The palace of Knossos was undoubtedly the ceremonial and political centre of the Minoan civilization and culture. It appears as a maze of workrooms, living spaces, and storerooms close to a central square. An approximate graphic view of some aspects of Cretan life in the Bronze Age is provided by restorations of the palace's indoor and outdoor murals, as it is also by the decorative motifs of the pottery and the insignia on the seals and sealings.
The palace was abandoned at some unknown time at the end of the Late Bronze Age, c. 1380–1100 BC. The occasion is not known for certain, but one of the many disasters that befell the palace is generally put forward. The hill was never again a settlement or civic site, although squatters may have used it for a time.
However, fieldwork in 2015 revealed that during the early Iron Age, Knossos was rich in imports and was nearly three times larger than indicated by earlier excavations. Whilst archaeologists had previously believed that the city had declined in the wake of a socio-political collapse around 1200 BC, the work of the Knossos Urban Landscape Project found that the city had prospered instead.
Except for periods of abandonment, other cities were founded in the immediate vicinity, such as the Roman colony, and a Hellenistic Greek precedent. The population shifted to the new town of Chandax (modern Heraklion) during the 9th century AD. By the 13th century, it was called Makruteikhos 'Long Wall'; the bishops of Gortyn continued to call themselves Bishops of Knossos until the 19th century. Today, the name is used only for the archaeological site now situated in the expanding suburbs of Heraklion.
In the first palace period around 2000 BC the urban area reached a size of up to 18,000 people. In its peak the Palace and the surrounding city boasted a population of 100,000 people shortly after 1700 BC.
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.