Knossos is the largest Bronze Age archaeological site on Crete island and has been called Europe's oldest city. The settlement was established well before 2000 BC and was destroyed, most likely by fire (though some claim a tsunami) around 1700 BC.
The Minoan palace is the main site of interest at Knossos, an important city in antiquity, which was inhabited continuously from the Neolithic period until the 5th century AD. The palace was built on the Kephala hill and had easy access to the sea and the Cretan interior. According to tradition, it was the seat of the wise king Minos. The Palace of Knossos is connected with thrilling legends, such as the myth of the Labyrinth, with the Minotaur, and the story of Daidalos and Ikaros.
The palace of Knossos was undoubtedly the ceremonial and political centre of the Minoan civilization and culture. It appears as a maze of workrooms, living spaces, and storerooms close to a central square. An approximate graphic view of some aspects of Cretan life in the Bronze Age is provided by restorations of the palace's indoor and outdoor murals, as it is also by the decorative motifs of the pottery and the insignia on the seals and sealings.
The palace was abandoned at some unknown time at the end of the Late Bronze Age, c. 1380–1100 BC. The occasion is not known for certain, but one of the many disasters that befell the palace is generally put forward. The hill was never again a settlement or civic site, although squatters may have used it for a time.
However, fieldwork in 2015 revealed that during the early Iron Age, Knossos was rich in imports and was nearly three times larger than indicated by earlier excavations. Whilst archaeologists had previously believed that the city had declined in the wake of a socio-political collapse around 1200 BC, the work of the Knossos Urban Landscape Project found that the city had prospered instead.
Except for periods of abandonment, other cities were founded in the immediate vicinity, such as the Roman colony, and a Hellenistic Greek precedent. The population shifted to the new town of Chandax (modern Heraklion) during the 9th century AD. By the 13th century, it was called Makruteikhos 'Long Wall'; the bishops of Gortyn continued to call themselves Bishops of Knossos until the 19th century. Today, the name is used only for the archaeological site now situated in the expanding suburbs of Heraklion.
In the first palace period around 2000 BC the urban area reached a size of up to 18,000 people. In its peak the Palace and the surrounding city boasted a population of 100,000 people shortly after 1700 BC.
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.