The Late Minoan town of Gournia was excavated by Harriet Boyd in the first years of the 20th century. The original name of the settlement is not known and its present name comes from the hollow vessels found all over the site, many of which can still be seen at the entrances to the rooms. Gournia lies on a small hill, a few hundred metres from the sea in the Gulf of Mirabello. Its position is important as it lies on the east to west route along the north coast of Crete.
From pottery finds it is known that groups of neolithic people were settled in the area around Gournia in the period up to 3000 BCE. The next evidence we have for settlement in the area dates to 2500 BCE in the Early Minoan period.
Around 1700 BCE parts of the top of the town were levelled off and a new stage of building began, giving us the town as we see it today. A palace is built for the first time, and this represents a major change in the way society in the Gournia area is organised. As happened previously in other parts of Crete when a palace was built, the surrounding villages were abandoned as the population was presumably incorporated into the new town.
Possessing some 50 well-preserved houses, a system of cobbled streets, a central court, a Minoan palace, and cemetery, Gournia gives today the visitor the best picture of what a Late Bronze Age (1500 BC) town looked like. Gournia was a regional production center of bronze tools and weapons, domestic objects, and pottery and stone vases, an active trade emporium with overseas connections to other parts of the Aegean and the Near East, and the palatial administrative center for the Mirabello region. Its harbor complex consists of a monumental shipshed, fortification walls with towers, a riverside dam, and a cobbled street running from the coast to Town.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.