Toplou monastery is one of the most significant monasteries in Crete, dedicated to Virgin Mary and St. John the Theologian. It was founded around the mid-15th century, probably on the ruins of an earlier convent. The monastery was plundered by the knights of Malta in 1530 and shattered in 1612 by a strong earthquake. Due to its strategic position, the senate of the Republic of Venice, then ruler of Crete, decided to financially aid in rebuilding it. The monastery flourished until the surrender of eastern Crete to the Turks in 1646, after which it was abandoned for a long time. In 1704, it acquired special protection privileges from the Patriarch and was re-inhabited.
After its monks were slaughtered by Turks in 1821 during the Greek Revolution of Independence, Toplou was again deserted until 1828. In 1866, during the massive Cretan revolt against the Turks, it was once again devastated. During the German occupation of 1941-44, Toplou was providing shelter to resistance fighters and housed their wireless radio. When this was discovered by the Germans, the abbot and two monks were tortured and executed.
Having to defend itself from pirates and invaders, Toplou monastery is heavily fortified, being laid out around a courtyard paved with sea pebbles and surrounded by strong, 10 m high square walls. In its present form it extends to about 800 square meters in three floors, divided into cells, guest houses, kitchens and warehouses. The main church (katholikon) is built as a two-nave basilica and the belltower dates back to 1558.
Despite its turbulent history, Toplou has many works of art to its possession. Today, it hosts an interesting exhibition of Byzantine icons, books and documents, a display of ancient engravings and a collection of artefacts which reflect its role in the historical events that influenced Crete during the last centuries. The monastery possesses a series of about 20 portraits of monks, despotes and igoumens painted by the famous portraitist Thomas Papadoperakis. Many of them have written the recent tragical history of the place. The walls of the monks' dining hall, the 'trapezaria', are also adorned with remarkable fresco paintings by the icon painter Manolis Betinakis.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.