Toplou monastery is one of the most significant monasteries in Crete, dedicated to Virgin Mary and St. John the Theologian. It was founded around the mid-15th century, probably on the ruins of an earlier convent. The monastery was plundered by the knights of Malta in 1530 and shattered in 1612 by a strong earthquake. Due to its strategic position, the senate of the Republic of Venice, then ruler of Crete, decided to financially aid in rebuilding it. The monastery flourished until the surrender of eastern Crete to the Turks in 1646, after which it was abandoned for a long time. In 1704, it acquired special protection privileges from the Patriarch and was re-inhabited.
After its monks were slaughtered by Turks in 1821 during the Greek Revolution of Independence, Toplou was again deserted until 1828. In 1866, during the massive Cretan revolt against the Turks, it was once again devastated. During the German occupation of 1941-44, Toplou was providing shelter to resistance fighters and housed their wireless radio. When this was discovered by the Germans, the abbot and two monks were tortured and executed.
Having to defend itself from pirates and invaders, Toplou monastery is heavily fortified, being laid out around a courtyard paved with sea pebbles and surrounded by strong, 10 m high square walls. In its present form it extends to about 800 square meters in three floors, divided into cells, guest houses, kitchens and warehouses. The main church (katholikon) is built as a two-nave basilica and the belltower dates back to 1558.
Despite its turbulent history, Toplou has many works of art to its possession. Today, it hosts an interesting exhibition of Byzantine icons, books and documents, a display of ancient engravings and a collection of artefacts which reflect its role in the historical events that influenced Crete during the last centuries. The monastery possesses a series of about 20 portraits of monks, despotes and igoumens painted by the famous portraitist Thomas Papadoperakis. Many of them have written the recent tragical history of the place. The walls of the monks' dining hall, the 'trapezaria', are also adorned with remarkable fresco paintings by the icon painter Manolis Betinakis.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.