Toplou monastery is one of the most significant monasteries in Crete, dedicated to Virgin Mary and St. John the Theologian. It was founded around the mid-15th century, probably on the ruins of an earlier convent. The monastery was plundered by the knights of Malta in 1530 and shattered in 1612 by a strong earthquake. Due to its strategic position, the senate of the Republic of Venice, then ruler of Crete, decided to financially aid in rebuilding it. The monastery flourished until the surrender of eastern Crete to the Turks in 1646, after which it was abandoned for a long time. In 1704, it acquired special protection privileges from the Patriarch and was re-inhabited.
After its monks were slaughtered by Turks in 1821 during the Greek Revolution of Independence, Toplou was again deserted until 1828. In 1866, during the massive Cretan revolt against the Turks, it was once again devastated. During the German occupation of 1941-44, Toplou was providing shelter to resistance fighters and housed their wireless radio. When this was discovered by the Germans, the abbot and two monks were tortured and executed.
Having to defend itself from pirates and invaders, Toplou monastery is heavily fortified, being laid out around a courtyard paved with sea pebbles and surrounded by strong, 10 m high square walls. In its present form it extends to about 800 square meters in three floors, divided into cells, guest houses, kitchens and warehouses. The main church (katholikon) is built as a two-nave basilica and the belltower dates back to 1558.
Despite its turbulent history, Toplou has many works of art to its possession. Today, it hosts an interesting exhibition of Byzantine icons, books and documents, a display of ancient engravings and a collection of artefacts which reflect its role in the historical events that influenced Crete during the last centuries. The monastery possesses a series of about 20 portraits of monks, despotes and igoumens painted by the famous portraitist Thomas Papadoperakis. Many of them have written the recent tragical history of the place. The walls of the monks' dining hall, the 'trapezaria', are also adorned with remarkable fresco paintings by the icon painter Manolis Betinakis.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.