The Château de Pontevès site is first recorded in a document in 1021 as the property of the monastery of Saint-Victoir in Marseille. Later, the lords of Pontevès progressively developed the site. In 1233 there is mention of a gate to the courtyard and the buildings arranged in the U-shape characteristic of the early 13th century. Further additions between 1560 and 1580 included a new bedroom, a great hall and the northwest tower. Between 1580 and 1590, the castle was defended during the Wars of Religion. In 1626, a billiards room, tennis court, stables and chicken house were added. Gradually, the castle was developed as a comfortable residence rather than a defensive site.
In 1650, François de Pontevès sold the castle to a rich Aix-en-Provence financier, Pierre Maurel, nicknamed the Croesus of Provence. The site then underwent a massive upheaval with most of the ancient edifice being destroyed and the materials reused to construct a vast building containing more than 50 rooms on three levels. Three corner towers were added. A gallery was decorated with trompe l'oeil paintings by Jean Daret.
However, this splendour was not to last. Faults in its constructions and inheritance problems led to a rapid degradation. By the time of the French Revolution the castle was already crumbling and many houses in the village today show evidence of plundering of the site for building materials, particularly doorframes and windows.
The castle today is open to the public. Visitors can see the gateway, four towers, parts of the curtain wall and other ruined structures.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.