Damascus Gate is one of the main entrances to the Old City of Jerusalem. It is located in the wall on the city's northwest side where the highway leads out to Nablus, and from there, in times past, to the capital of Syria, Damascus.
In its current form, the gate was built in 1537 under the rule of Suleiman the Magnificent, the Sultan of the Ottoman Empire. Beneath the current gate, the remains of an earlier gate can be seen, dating back to at least the time of the Roman Emperor Hadrian in the 2nd century CE. In front of this gate stood a Roman victory column topped with the Emperor Hadrian's image, as depicted on the 6th century Madaba Map. On the lintel to the 2nd century gate, under which one can pass today, is inscribed the city's name under Roman rule, Aelia Capitolina. Hadrian had significantly expanded the gate which served as the main entrance to the city from at least as early as the 1st century CE during the rule of Agrippa I. Josephus mentions in his Antiquities of the Jews that the third and outer wall of Jerusalem's Old City had been originally built by Agrippa I, in c. 37-41 CE.
One of eight gates remade in the 10th century, Damascus Gate is the only one to have preserved the same name in modern times. The Crusaders called it St. Stephen's Gate, highlighting its proximity to the site of martyrdom of Saint Stephen, marked since the time of Empress Eudocia by a church and monastery. Several phases of construction work on the gate took place the early Ayyubid period (1183-1192) and both early 12th century and later 13th century Crusader rule over Jerusalem.
Damascus Gate is flanked by two towers, each equipped with machicolations. It is located at the edge of the Arab bazaar and marketplace in the Arab Quarter. In contrast to the Jaffa Gate, where stairs rise towards the gate, in the Damascus Gate, the stairs descend towards the gate. Until 1967, a crenellated turret loomed over the gate, but it was damaged in the fighting that took place in and around the Old City during the Six-Day War. In August 2011, Israel restored the turret, including its arrowslit, with the help of pictures from the early twentieth century when the British Empire controlled Jerusalem. Eleven anchors fasten the restored turret to the wall, and four stone slabs combine to form the crenellated top.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.