Damascus Gate is one of the main entrances to the Old City of Jerusalem. It is located in the wall on the city's northwest side where the highway leads out to Nablus, and from there, in times past, to the capital of Syria, Damascus.
In its current form, the gate was built in 1537 under the rule of Suleiman the Magnificent, the Sultan of the Ottoman Empire. Beneath the current gate, the remains of an earlier gate can be seen, dating back to at least the time of the Roman Emperor Hadrian in the 2nd century CE. In front of this gate stood a Roman victory column topped with the Emperor Hadrian's image, as depicted on the 6th century Madaba Map. On the lintel to the 2nd century gate, under which one can pass today, is inscribed the city's name under Roman rule, Aelia Capitolina. Hadrian had significantly expanded the gate which served as the main entrance to the city from at least as early as the 1st century CE during the rule of Agrippa I. Josephus mentions in his Antiquities of the Jews that the third and outer wall of Jerusalem's Old City had been originally built by Agrippa I, in c. 37-41 CE.
One of eight gates remade in the 10th century, Damascus Gate is the only one to have preserved the same name in modern times. The Crusaders called it St. Stephen's Gate, highlighting its proximity to the site of martyrdom of Saint Stephen, marked since the time of Empress Eudocia by a church and monastery. Several phases of construction work on the gate took place the early Ayyubid period (1183-1192) and both early 12th century and later 13th century Crusader rule over Jerusalem.
Damascus Gate is flanked by two towers, each equipped with machicolations. It is located at the edge of the Arab bazaar and marketplace in the Arab Quarter. In contrast to the Jaffa Gate, where stairs rise towards the gate, in the Damascus Gate, the stairs descend towards the gate. Until 1967, a crenellated turret loomed over the gate, but it was damaged in the fighting that took place in and around the Old City during the Six-Day War. In August 2011, Israel restored the turret, including its arrowslit, with the help of pictures from the early twentieth century when the British Empire controlled Jerusalem. Eleven anchors fasten the restored turret to the wall, and four stone slabs combine to form the crenellated top.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.