The Golden Gate, as it is called in Christian literature, is the only eastern gate of the Temple Mount and one of only two that used to offer access into the city from that side. It has been walled up since medieval times. The date of its construction is disputed and no archaeological work is allowed at the gatehouse, but opinions are shared between a late Byzantine and an early Umayyad date.
The Hebrew name of the Golden Gate is Sha'ar HaRachamim (שער הרחמים), Gate of Mercy. In Jewish sources the eastern gate of the Temple compound is called the Shushan Gate. If the Golden Gate does preserve the location of the Shushan Gate, which is only a presumption with no archaeological proof, this would make it the oldest of the current gates in Jerusalem's Old City Walls. According to Jewish tradition, the Shekhinah used to appear through the eastern Gate, and will appear again when the Anointed One (Messiah) comes and a new gate replaces the present one; that might be why Jews used to pray in medieval times for mercy at the former gate at this location, another possible reason being that in the Crusader period, when this habit was first documented, they were not allowed into the city where the Western Wall is located. Hence the name 'Gate of Mercy'.
In Christian apocryphal texts, the gate was the scene of the meeting between the parents of Mary after the Annunciation, so that the gate became the symbol of the virgin birth of Jesus and Joachim and Anne Meeting at the Golden Gate became a standard subject in cycles depicting the Life of the Virgin. It is also said that Jesus passed through this gate on Palm Sunday, giving it also a Christian messianic importance beside the Jewish one.
In Arabic, it is known as Bab al-Dhahabi, also written Bab al-Zahabi, meaning 'Golden Gate'; another Arabic name is the Gate of Eternal Life.
The present gate was probably built in the 520s AD, as part of Justinian I's building program in Jerusalem, on top of the ruins of the earlier gate in the wall. An alternate theory holds that it was built in the later part of the 7th century by Byzantine artisans employed by the Umayyad khalifs.The Ottoman Turks transformed the walled-up gate into a watchtower. On the ground floor level a vaulted hall is divided by four columns into two aisles, which lead to the Door of Mercy, Bab al-Rahma, and the Door of Repentance, Bab al-Taubah; an upper floor room has the two roof domes as its ceiling.
Closed by the Muslims in 810, reopened in 1102 by the Crusaders, it was walled up by Saladin after regaining Jerusalem in 1187. Ottoman Sultan Suleiman the Magnificent rebuilt it together with the city walls, but walled it up in 1541, and it stayed that way until today.References:
The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.
The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.
The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.
There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).
The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.