Real Fábrica de Cristales de La Granja ('Royal Factory of Glass and Crystal of La Granja') was a Spanish royal manufacturing factory established in 1727 by Philip V of Spain. In that year, funded by the crown, the Catalan artisan Buenaventura Sit installed a small oven which manufactured float glass for the windows and mirrors of the Royal Palace of La Granja de San Ildefonso, which was under construction in the 1720s. Sit had previously worked at Nuevo Baztan where a glass factory failed because of inadequate fuel supplies. At La Granja there was an abundant supply of wood for the factory in the Sierra de Guadarrama.
Bartolome Sureda y Miserol, previously director of the Real Fabrica de Porcelana del Buen Retiro, the Real Fabrica de Pano in Guadalajara, and the Real Fabrica de Loza de la Moncloa, became director of the Real Fábrica de Cristales de La Granja in 1822. Glass blowing and glassware production could be viewed at the factory. The wares of the royal factory were exported to the Americas, which caused financial losses to the other countries who exported as well. By 1836, with the royal factory experiencing financial hardship, the Royal Treasury formally took over the facility which, unlike other royal factories, failed to financially support itself.
To revive the traditions of the Royal Glass Factory, the National Glass Centre Foundation was established in 1982 in the eighteenth-century building.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.