Real Fábrica de Cristales

Segovia, Spain

Real Fábrica de Cristales de La Granja ('Royal Factory of Glass and Crystal of La Granja') was a Spanish royal manufacturing factory established in 1727 by Philip V of Spain. In that year, funded by the crown, the Catalan artisan Buenaventura Sit installed a small oven which manufactured float glass for the windows and mirrors of the Royal Palace of La Granja de San Ildefonso, which was under construction in the 1720s. Sit had previously worked at Nuevo Baztan where a glass factory failed because of inadequate fuel supplies. At La Granja there was an abundant supply of wood for the factory in the Sierra de Guadarrama.

Bartolome Sureda y Miserol, previously director of the Real Fabrica de Porcelana del Buen Retiro, the Real Fabrica de Pano in Guadalajara, and the Real Fabrica de Loza de la Moncloa, became director of the Real Fábrica de Cristales de La Granja in 1822. Glass blowing and glassware production could be viewed at the factory. The wares of the royal factory were exported to the Americas, which caused financial losses to the other countries who exported as well. By 1836, with the royal factory experiencing financial hardship, the Royal Treasury formally took over the facility which, unlike other royal factories, failed to financially support itself.

To revive the traditions of the Royal Glass Factory, the National Glass Centre Foundation was established in 1982 in the eighteenth-century building.



Your name

Website (optional)


Founded: 1727
Category: Industrial sites in Spain

More Information


4.5/5 (based on Google user reviews)

User Reviews

María Ángeles gibaja (2 months ago)
Edificio histórico con unas exposiciones que merece la pena visitar.
ANA ISABEL Muga (3 months ago)
¡¡Que Frío dentro!! Fui con mi hija de 6 años y le encantó. Hicimos visita guiada. Estuvo bien. Pero pase realmente mucho frío!! Deberían de advertirlo.Pena que ya no se lleve la decoración de vidrios a nivel comercial.lo peor, que ahora estoy con GRIPE en la cama. Seguro que me enfríe alli
jesus cid (4 months ago)
La exposición del museo esta bien, pero es una pena como esta acondicionado, si tienes pensado hacer la visita en un día de frío mejor olvida el plan. El frío es horrible y no se puede disfrutar del museo. Una pena
Delia RD (5 months ago)
Sin ser conocedora del mundo del cristal, he salido encantada del museo y con nuevos conocimientos. Además agradezco a la persona que este sábado estaba en el Horno, la gran simpatía y paciencia que ha mostrado con mi hija de 6 años.
Jesus Diaz-Ufano Gordon (11 months ago)
Una visita muy interesante. Un viaje por la historia a través de la evolución del vidrio. Las salas de exposiciones son amplias, luminosas, con gran cantidad de piezas para ver y con una explicación muy detallada. El horno digno de ver, la manera de soplar, manejar y dar forma al vidrio para ver las piezas finalizadas es maravilloso, los niños salen encantados. Los empleados muy amables, simpáticos y muy profesionales.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Church of the Savior on Blood

The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.

Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.

The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.

In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.

In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.