Real Fábrica de Cristales de La Granja ('Royal Factory of Glass and Crystal of La Granja') was a Spanish royal manufacturing factory established in 1727 by Philip V of Spain. In that year, funded by the crown, the Catalan artisan Buenaventura Sit installed a small oven which manufactured float glass for the windows and mirrors of the Royal Palace of La Granja de San Ildefonso, which was under construction in the 1720s. Sit had previously worked at Nuevo Baztan where a glass factory failed because of inadequate fuel supplies. At La Granja there was an abundant supply of wood for the factory in the Sierra de Guadarrama.
Bartolome Sureda y Miserol, previously director of the Real Fabrica de Porcelana del Buen Retiro, the Real Fabrica de Pano in Guadalajara, and the Real Fabrica de Loza de la Moncloa, became director of the Real Fábrica de Cristales de La Granja in 1822. Glass blowing and glassware production could be viewed at the factory. The wares of the royal factory were exported to the Americas, which caused financial losses to the other countries who exported as well. By 1836, with the royal factory experiencing financial hardship, the Royal Treasury formally took over the facility which, unlike other royal factories, failed to financially support itself.
To revive the traditions of the Royal Glass Factory, the National Glass Centre Foundation was established in 1982 in the eighteenth-century building.References:
The Abbey of Saint-Etienne, also known as Abbaye aux Hommes ('Men"s Abbey'), is a former monastery dedicated to Saint Stephen (Saint Étienne). It is considered, along with the neighbouring Abbaye aux Dames ('Ladies" Abbey'), to be one of the most notable Romanesque buildings in Normandy. Like all the major abbeys in Normandy, it was Benedictine.
Lanfranc, before being an Archbishop of Canterbury, was abbot of Saint-Etienne. Built in Caen stone during the 11th century, the two semi-completed churches stood for many decades in competition. An important feature added to both churches in about 1120 was the ribbed vault, used for the first time in France. The two abbey churches are considered forerunners of the Gothic architecture. The original Romanesque apse was replaced in 1166 by an early Gothic chevet, complete with rosette windows and flying buttresses. Nine towers and spires were added in the 13th century. The interior vaulting shows a similar progression, beginning with early sexpartite vaulting (using circular ribs) in the nave and progressing to quadipartite vaults (using pointed ribs) in the sanctuary.
The two monasteries were finally donated by William the Conqueror and his wife, Matilda of Flanders, as penalty for their marriage against the Pope"s ruling. William was buried here; Matilda was buried in the Abbaye aux Dames. Unfortunately William"s original tombstone of black marble, the same kind as Matilda"s in the Abbaye aux Dames, was destroyed by the Calvinist iconoclasts in the 16th century and his bones scattered.
As a consequence of the Wars of Religion, the high lantern tower in the middle of the church collapsed and was never rebuilt. The Benedictine abbey was suppressed during the French Revolution and the abbey church became a parish church. From 1804 to 1961, the abbey buildings accommodated a prestigious high school, the Lycée Malherbe. During the Normandy Landings in 1944, inhabitants of Caen found refuge in the church; on the rooftop there was a red cross, made with blood on a sheet, to show that it was a hospital (to avoid bombings).