Founded by Cardinal Jiménez de Cisneros in the early 16th century, Alcalá de Henares was the world's first planned university city. It was the original model for the Civitas Dei (City of God), the ideal urban community which Spanish missionaries brought to the Americas. It also served as a model for universities in Europe and elsewhere.
The property includes a magnificent complex of historic buildings, such as the exceptional Colegio Mayor de San Idelfonso or the Monastery of St Bernard. The University Precinct begins at the Plaza Cervantes and extends to the east of the medieval city. It was enclosed by demolishing part of the earlier medieval walls and prolonging them around the new urban development. The layout is based on humanist planning principles, with two main axes and a central place (nowadays Plaza de San Diego) where the main University buildings are located. The walled medieval precinct has the Iglesia Magistral (Cathedral) at its core, from which the street network radiates, merging into the former Jewish and Arab quarters. To the north-west is the ecclesiastical precinct, surrounded by its own walls; at its heart is the Archbishop’s Palace. Within the historic centre there are several protected buildings under the Spanish legislation.
The city has its origins in the Roman town of Complutum. It expanded during the Middle Ages and flourished in the 16th century thanks to the foundation of the University. The concept of this city, its planning and provisions, belong to the project designed by the University’s founder, Cardinal Cisneros. He had bought land in the east of the medieval city with the aim of providing the necessary infrastructures to carry out his university project, a project that included colleges, halls of residence, hospitals and printers, all of which contributed to the University of Alcalá’s outstanding intellectual achievement for hundreds of years. Juxtaposed with the medieval town, this new city was converted into an exceptional model that embodied the Augustinian model of the City of God, as well as to the way it was planned and the buildings it was endowed with. The dream of the Civitas Dei became a reality, reaching the highest levels of intellectual achievement of the era in the sciences, language and literature, personified by its most illustrious son, Miguel de Cervantes through his universal work ‘Don Quixote’.
Alcalá de Henares was designed with the strict purpose of being the seat of a university. It was the first city of this kind in history and it became a University City model for the Americas and Europe. Alcalá exported its prestige and its form of organization: a microcosm where religious orders, the town citizens, the academic world, education and knowledge all lived together. It is also a unique example of the architecture pertaining to the House of Austria, characteristic in the centre of Spain during the Baroque period.
The historical centre of Alcalá de Henares is one of UNESCO's World Heritage Sites.References:
The Old Town Hall of Wrocław is one of the main landmarks of the city. The Old Town Hall's long history reflects developments that have taken place in the city since its initial construction. The town hall serves the city of Wroclaw and is used for civic and cultural events such as concerts held in its Great Hall. In addition, it houses a museum and a basement restaurant.
The town hall was developed over a period of about 250 years, from the end of 13th century to the middle of 16th century. The structure and floor plan changed over this extended period in response to the changing needs of the city. The exact date of the initial construction is not known. However, between 1299 and 1301 a single-storey structure with cellars and a tower called the consistory was built. The oldest parts of the current building, the Burghers’ Hall and the lower floors of the tower, may date to this time. In these early days the primary purpose of the building was trade rather than civic administration activities.
Between 1328 and 1333 an upper storey was added to include the Council room and the Aldermen’s room. Expansion continued during the 14th century with the addition of extra rooms, most notably the Court room. The building became a key location for the city’s commercial and administrative functions.
The 15th and 16th centuries were times of prosperity for Wroclaw as was reflected in the rapid development of the building during that period. The construction program gathered momentum, particularly from 1470 to 1510, when several rooms were added. The Burghers’ Hall was re-vaulted to take on its current shape, and the upper story began to take shape with the development of the Great Hall and the addition of the Treasury and Little Treasury.
Further innovations during the 16th century included the addition of the city’s Coat of arms (1536), and the rebuilding of the upper part of the tower (1558–59). This was the final stage of the main building program. By 1560, the major features of today’s Stray Rates were established.
The second half of the 17th century was a period of decline for the city, and this decline was reflected in the Stray Rates. Perhaps by way of compensation, efforts were made to enrich the interior decorations of the hall. In 1741, Wroclaw became a part of Prussia, and the power of the City diminished. Much of the Stray Rates was allocated to administering justice.
During the 19th century there were two major changes. The courts moved to a separate building, and the Rates became the site of the city council and supporting functions. There was also a major program of renovation because the building had been neglected and was covered with creeping vines. The town hall now has several en-Gothic features including some sculptural decoration from this period.
In the early years of the 20th century improvements continued with various repair work and the addition of the Little Bear statue in 1902. During the 1930s, the official role of the Rates was reduced and it was converted into a museum. By the end of World War II Town Hall suffered minor damage, such as aerial bomb pierced the roof (but not exploded) and some sculptural elements were lost. Restoration work began in the 1950s following a period of research, and this conservation effort continued throughout the 20th century. It included refurbishment of the clock on the east facade.